Wednesday, August 28, 2013

"The Hat" fouled 13 in an at-bat

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

I’m not sure what the current major league record is for number of balls fouled off in an at bat . . . if that’s even an official stat.

But on July 1, 1949, Cincinnati Reds outfielder Harry Walker hit 13 foul balls off St. Louis Cardinals pitcher Ted Wilks in one at-bat that stretched for nearly 10 minutes.

The Reds were ahead 9-2 in the seventh inning, when “The Hat” stepped to the plate. At the time he was batting .261.

After letting a low pitch pass for ball one, Walker fouled off the next two pitches, before looking at a high pitch that was ball two.

He fouled off two more, then stepped back from ball three, a high inside pitch. He then fouled off nine straight pitches before smashing a double high off the screen in right-center field. It was reported that some of Walker’s fouls were hard-hit balls.

Later in the game rookie Lloyd Merriman was brought in to replace Walker in centerfield. The Reds beat the Cards 10-2.

The at-bat might not have taken so long if Walker had not, after every pitch, stepped out of the box, taken off his cap, smoothed back his hair and replaced his cap, according to a contemporary account.

Maybe that's how he got his nickname.

Monday, August 26, 2013

Record Indians crowd spent big on souvenirs

Well on their way to the World Championship, on June 20, 1948, the Cleveland Indians set a new record for major league attendance at Municipal Stadium.

On Father's Day, 82,781 paying customers turned out for a double header with the Philadelphia A's.


The home crowd got its money's worth as the Tribe won both ends. Bob Feller notched a 4-3 victory in the opener and Bob Lemon won the second game 10-0.

Even the A's fans in the crowed had a highlight to cheer. Leading off the first inning of the first game, A's shortstop Eddie Joost hit a home run . . . a long home run. His blow just cleared the foul pole in left field and landed in the upper deck. 

Joost became only the seventh major leaguer to homer into the upper deck, joining Pat Seerey, Rudy York, Ted Williams, George McQuinn, Dale Mitchell and Jeff Heath.

Besides the on-field action, fans that day enjoyed hearing from Bob Hope, who did a stint as guest announcer. Hope was in a jovial mood and why not? As a stockholder in the team, every click of the turnstile was money in his pocket.

Also profiting from the record crowd was Cleveland Concession Company, which enjoyed the largest day in its history with record sales of $41,533.22. 


According to a newspaper account, the fans purchased 70,000 hot dogs and 120,000 bottles of beer and soft drinks.

Baseball memorabilia collectors might be interested to know that the CCC also reported sales of 38,000 programs, 1,293 sketch books and 8,085 "clip pencils bearing player pictures."

Today, in nice condition, that 10-cent program is a $20-40 collectible. The 50-cent sketch book can bring $35-50, and the player pencil clips are about $20-30, depending on player, with Hall of Famers bringing a premium. 

Saturday, August 24, 2013

One Topps typesetter was cap-crazy in 1952

While doing some research for my most recent 1952 Topps-style custom card, I had occasion to read the back of the '52T Chico Carrasquel card.

I had never before noticed how many nouns were capitalized for no apparent reason. Since I don't recall noticing that previously, I have to assume that not all '52T cards were similarly affected.

Note the capital letters on;
  • Record (line 2)
  • League (line 3)
  • Triple (line 4)
  • Play (line 4)
  • Big (line 8)
  • Leaguer (line 8)


Thursday, August 22, 2013

McCarthy's player photos weren't cheap

Back on Aug. 8, my blog posting concerned my recent purchase of hundreds of baseball player photos/negatives that were the work of Detroit-area photographer James D. McCarthy from the late 1950s through the early 1980s.

I mentioned that as I found interesting items during the process of cataloging the pictures, I'd share them with you.

Here's one such subject.

While sorting through the "G" photos, I found two examples that show McCarthy's price structure for prints that he sold to the players.

McCarthy is best known among collectors for the many black-and-white player postcards that have made their way into the market over the past 50+ years. These are postcards that the players would purchase from McCarthy to send to fans who had requested pictures or autographs.

But McCarthy also produced color photos for the players, presumably to be given family and friends, hung on their walls, etc.

I recently found two McCarthy photos that detail his pricing structure to the players for those prints; one is from 1963, the other from 1978.

The 1963 price list is on the back of a 4" x 5" proof of Jesse Gonder with the Cincinnati Reds. Baseball card collectors of the 1960s may remember Gonder as a back-up catcher for the Mets (1963-65), Braves (1965) and Pirates (1966-67). 

His major league career actually began in 1960-61 with the Yankees (too bad there weren't any Yankees photos of Gonder in McCarthy's archive). He was with the Reds in 1962-63 and made his Topps baseball card debut as a bug-sized portrait on one of the '63 4-on-1 Rookie Stars cards.

Rubber-stamped on the back of the Gonder photo is a price list that shows:

  • 5 x 7     $5
  • 8 x 10   $10
  • 11 x 14 $20



Jump ahead to 1978, and we find an updated price list on the back of another Reds photo, that of Mike Grace. That list offers photos as follows:

  • 8 x 10         $10
  • (5) 8 x 10s  $25
  • 11 x 14       $25
  • 16 x 20       $45
  • (100) 4 x 5 $50


Maybe it's just me, but those print prices seem high for 35-50 years ago. Then again, the players wouldn't have paid McCarthy for the actual work of taking their pictures, so maybe it all evened out.

You probably never heard of this Mike Grace, apparently no relation to the Mike Grace who pitched for the Phillies 1995-99.

The Reds' Mike Grace was an infielder whose major league career consisted of five games with Cincinnati at the start of the 1978 season, when he was just 21. He was hitless in three at-bats, striking out twice. When the minor league season started, Grace was sent down to Indianapolis.

Grace had been a second-round pick in the 1974 amateur draft and began his pro career at age 18 with Billings in the Rookie-level Pioneer level. He advanced to Class A Tampa in 1975 and Class AA Trois-Rivieres in 1976.

Except for his cup of coffee with Cincinnati in 1978, he spent the 1977-80 seasons at AAA Indianapolis.
Apparently released by the Reds after 1980, he played three more seasons in the Southern League with Atlanta and Houston farm clubs.

Mike Grace,spring training 1978.
Usually a third baseman, but also playing some at second, short and in the outfield, Grace never his better than .274 and had a cumulative minor league mark of .243, averaging just 5.2 home runs a season.

But his presence in the McCarthy archives, as a good-looking young prospect at spring training in 1978, is an example of why I find that collection so interesting as a card collector and baseball historian. Without J.D. McCarthy I don't think we'd have a picture of Mike Grace as a major league ballplayer. Actually, we have two; there was a second pose in the collection.

While Grace never appeared on a major league baseball card, he was included in several minor league issues during his playing days. While I doubt that I'll ever find time to make a Mike Grace custom card, it's good to know that because of J.D. McCarthy, I could.


Tuesday, August 20, 2013

Waitkus won workman's comp case in shooting

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

The shooting of Roy Hobbs in a hotel room by a female fan is a key plot point in The Natural.
Many fans of post-war baseball know the incident had a real-life precedent when, on June 14, 1948, Philadelphia Phillies first baseman Eddie Waitkus was seriously wounded by a “deranged girl” (it says so on the back of his 1955 Bowman card) in a Chicago hotel room.
Waitkus recovered and was able to resume his major league career the following year.
Few fans, however, know that Waitkus won a worker’s compensation claim for the shooting.
Waitkus, seeking $4,000 and medical expenses, claimed that when he answered the shooter’s cryptic note to meet her in her hotel room, he was acting in the interests of Phillies public relations.
If that was the case, the Phillies’ insurer, Travelers Insurance Company, countered, then Waitkus was in violation of his contract, which called for him to have the team’s permission to make personal appearances for the club.
The Pennsylvania State Workmen’s Compensation Bureau ruled in the player’s favor on March 9, 1949, awarding Waitkus $3,500 and his medical expenses.

I saw a note in a later edition of the paper that indicated that the Hall of Fame asked Waitkus for the near-fatal bullet. I didn’t find any record of whether the museum received the bullet.

Sunday, August 18, 2013

Yes, it's another Browns fantasy card

I guess I can't help myself. My latest custom/fantasy card is yet another St. Louis Browns player.

Of the 14 custom cards I've created in 1951-53 Bowman, Topps and Red Man formats, fully half of them have been Brownies.

Part of the reason for that it that I'm a big Satchel Paige fan, and he has been the subject of three of my seven Browns cards.

I also confess that since childhood, I have been taken with the Brownie logo that Topps used on its 1953 St. Louis American Leaguers' cards. When I found a great old photo showing a player with that patch prominently displayed on his sleeve, I decided to create my own 1953 Topps-style Browns card.

A major factor in doing so is that the player was once a Milwaukee Brave. Jim Pisoni appears with the Braves (OK, it's actually an A's photo retouched to give him a Braves cap) in the 1959 Topps set.

When the Pisoni card showed up in packs of 1959 Topps, I was completely unfamiliar with the name and face. Actually, by the time Pisoni's '59 cards were issued, he was gone from the Braves. Milwaukee had taken him in the December, 1958, Rule 5 draft, but he hadn't been able to crack the team's all-black A-B-C outfield (Aaron, Bruton, Covington), and he had been returned to the Yankees. 

Still, I retain fond memories of finding a surprise Braves card in 1959, so when I found a picture of him online as a St. Louis Brown, I figured he was worth a weekend of work to create a custom card.

Pisoni was only a St. Louis Browns player for three games. He appeared in the franchise's last three games, Sept. 25-27 at home against the White Sox. They were the team's 98th, 99th and 100th losses of the season.

In his three games with the Browns, Pisoni had batted just .083, striking out five times in 12 at-bats. His lone hit, though, was a home run on Sept. 26 against Connie Johnson. 

Pisoni's first time up in the bigs was notable only for the fact that he was the last rookie to make his major league debut with the St. Louis Browns. He never got up with the Orioles after the team moved to Baltimore for 1954. He spent the 1954-55 seasons with San Antonio and did well enough to earn a trade to Kansas City late in the 1956 season. That, in turn, earned him a 1957 Topps baseball card in the season-ending high numbers series. The 1957 and 1959 cards were Pisoni's only major card appearances.

Pisoni got month-long major league gigs in 1957 with the A's, and in 1959 and 1960 with the Yankees.

Collectors familiar with the 1953 Topps set might recognize the background I used for my custom as that of Browns first baseman Gordon Goldsberry. I did make some modifications, however, adding a second deck to the grandstand and an outfield wall.

I have another 1953 Topps-style "card that never was" on the drawing board, but it'll be a Boston Brave, not a Brown. 


Friday, August 16, 2013

'Honest John' stole second . . . with bases loaded

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

The Aug. 3, 1949, issue of The Sporting News was awash with news, photos and commentary of a “bonehead” play by Larry Doby that may have cost the Cleveland Indians the July 20 game against the Yankees.

Unbidden by his manager or third base coach, Doby attempted to steal home plate with his team down four runs, the bases loaded, nobody out and pitcher Joe Page getting wild with two balls on the batter, Bob Kennedy. Doby was fined $50 for his initiative.

Coincidentally, towards the back of that issue, appeared the obituary of John Anderson, who had died July 23 at the age of 75.

Because he rarely argued with umpires he was known as “Honest John.” One contemporary umpire said Anderson could make an umpire second-guess his calls.  “Whenever ‘Honest John’ protested a strike, an umpire later would remark: ‘Maybe I missed that strike, for John wouldn’t have protested otherwise.’”

Anderson was born in Norway in 1873 and emigrated to Worcester, Mass., with his parents in 1878. He became the first major league player to have born in Norway.

He played his first pro ball with Haverhill of the New England League in 1894 and was batting .354 when he was purchased by Brooklyn of the National League and finished the season with them.

Anderson played with Brooklyn, mostly at first base, until he was sold to Milwaukee in the American League for 1900. He moved with the franchise to St. Louis in 1902. In 1904 he joined the New York Highlanders, played with Washington 1905-07, then ended his major league days with the White Sox in 1908.

In 1909 he played for Providence of the Eastern League, then retired.

After spending five years as a policeman in Worcester, he became a coach for Buffalo in the International League.


Anderson had earned a spot on what a TSN editor in Doby’s case had dubbed the “Rockhead Roll of Fame,” by attempting to steal second base while the bases were loaded. That came in a 1905 game when he was with the Senators.

Monday, August 12, 2013

Vintage Fox photo shows 1960 Topps card

Back on Aug. 4 I presented by 1952 Topps-style custom card of Nellie Fox.

That reminded me of a photo that I have had in my archives for quite a few years.

It is a 1960 press photo showing Nellie Fox at spring training signing an autograph for a young fan. The photo clearly shows that Fox is signing his 1960 Topps card. 

Photos of players with their cards, especially from 50+ years ago, aren't seen very often. I thought you might enjoy seeing it.

Thursday, August 8, 2013

I'm (temporarily) curator of the J.D. McCarthy archives

From the late 1950s through the early 1980s,
Detroit-area photographer J.D. McCarthy (right)
created images of more than a thousand ballplayers for their
use on postcards to answer fan mail. He's shown
here at spring training in the 1960s with Al Downing.

For the past couple of years I've been actively working on disposing of the sports cards, memorabilia and collectibles that I accumulated during my tenure (1980-2005) as editor and publisher of the sports collectibles periodicals and books at Krause Publications (Sports Collector Digest, Baseball Cards Magazine, Standard Catalog of Baseball Cards, etc.)

I keep pulling boxes out of the basement (some of which haven't been opened for 20 years or more), sorting through them -- which is a lot of fun in itself -- selling off what I think has value and throwing out what the realities of today's hobby market now deem worthless.

At the pace I'm going, I really think my "stuff" will outlive me.

So it makes no sense that I recently made a major addition to my holdings.

Followers of this blog know that one of my principal activities in retirement is the making of "cards that never were," custom or fantasy cards in the formats of the classic baseball and football cards I loved as a kid.

Two of my recent creations were 1965 and 1966 Topps-style cards of ill-fated California Angels pitcher Dick Wantz (see my blog from April 24 and May 2). The photo for those cards came through the courtesy of Keith Olbermann, who has a private stash of vintage Topps photos.

Many of my other custom cards use photos that I've purchased or "borrowed" from the Topps Vault auctions that have been ongoing on eBay for a number of years. 

One day it occurred to me that Topps wasn't the only source for vintage baseball players photos.

I remembered that back in the late 1980s or early 1990s, I engineered the purchase by Krause Publications of a huge portion of the photo files of J.D. McCarthy of Oak Park, Mich. 

Following McCarthy's death, a collecting colleague from the Detroit area, Red Wimmer, approached me on behalf of McCarthy's family, offering to sell the pictures.

From the late-1950s through at least the early 1980s, McCarthy was one of the premier providers of photos and postcards to baseball (and to a much lesser degree, football and hockey) players for their use in answering fan requests for pictures and autographs. 

By the time McCarthy's archives were offered to me, they had been cherry-picked by several collectors. Most of the Hall of Famers and regionally popular stars were gone, and certain teams had been pulled en masse. For instance, in the material we purchased there are virtually no Detroit Tigers, Minnesota Twins, San Francisco Giants, St. Louis Cardinals or Milwaukee/Atlanta Braves.

I don't remember how much we paid for what we bought, but back when the sportscard hobby was in its heyday, money was no object at Krause. I thought we'd get a lot of use out of the pictures in articles in SCD and the other magazines.

I was wrong. I don't think the files in which the pictures were housed were accessed more than a dozen times in the 20+ years we had them. 

Whatever KP paid for the resource, I paid a whole lot less when I purchased them earlier this summer. I made an admittedly lowball offer based on my recollection of the hoard. I figured there'd be a lot of great photos there that I could use in making my custom cards. 

It turns out that on a per piece basis, I made a really great deal. In the back of my mind I was thinking that there was about 400 different players represented. I was way off. I'm only done cataloging the collection alphabetically from A-F and I'm already up to 225+ players.

And I had forgotten that for more than half of the players, there are more than one image -- there's frequently three to five different poses and sometimes as many as a dozen.

At the time KP bought the pictures, an editorial assistant placed each player's images in an envelope with his name and team or teams noted.

A typical player's envelope will contain one or more black-and-white and/or color 2" x 2" negatives and an accompanying photo print or proof. As you can see from the picture here of the contents of Ernie Fazio's envelope, many of the pictures have notations penned on them indicating picture or postcard ordering information. A few envelopes have examples of the postcards that McCarthy produced from his photos.

One of the principal reason I wanted to acquire the pictures is that McCarthy had hundreds of photos of players in major league uniforms that never actually played in the bigs. Many of his photos were shot at spring training when prospects were up with the big club before being returned to the minors or hanging up their spikes. Evidently these players felt that having McCarthy take their pictures was a sign that they were on their way to a major league career.

Naturally, given the era in which McCarthy accomplished the bulk of his work, many of these players never had a baseball card. In some cases I plan to remedy that with a fantasy card that is my vision for what their cards might have looked like.

I'm having a ball going through this baseball history trove. I'm creating a spread sheet with each player, his team, the probably year the image was taken and whether the pictures are color or black-and-white.

When that work is done, and I've finished scanning those images that I have a reasonable expectation of someday using in my custom card work, I'll sell my McCarthy holdings.

Throughout the process, I expect I'll take the opportunity to share with you some of what I find.


Sunday, August 4, 2013

Nellie Fox featured on '52 Topps-style custom

Nellie Fox was a perennial All-Star and a fan (and collector) favorite. He parlayed modest baseball playing skills into a Hall of Fame career.

Topps was never able to get Fox's signature on a baseball card contract until 1956, after Bowman was out of the picture. He'd debuted with a rookie card in 1951 Bowman and was in each year's set through 1955. His 1953, 1954 and 1955 Bowman cards were some of my childhood favorites.

Fox was also in each year's Red Man tobacco set from 1952-55; fitting since he was often photographed with a large wad of chew in his cheek. He was also seen in such early 1950s issues as Berk Ross, Dixie ice cream lids and premiums and 1954 Red Heart dog food and Wilson's wieners.

If you've been following my blog, you know my custom card making has recently included a pair of 1952 Topps cards "that never were." I've extended that streak with my recent creation of a 1952 Topps-style Nellie Fox card.

The impetus for jumping a '52 Fox to the top of my to-do list was the discovery on-line of a really appealing 1951 portrait photo of Fox. I knew it would look good in the '52 format.

I decided to make my Fox custom with the "plain" color background that Topps used on a few of its cards back in 1952. One of my favorite '52s was such a card, Dale Coogan.

For some reason the color purple came to me as the right choice for the background of Fox's haloed portrait.

That's really about all there is to say about my 1952 Topps-style Nellie Fox custom. I think I can safely predict that this will not be my last Nellie Fox creation.


Wednesday, July 31, 2013

Buckeyes' Janowicz scored 14 in first three minutes against Hawkeyes

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

In the late 1940s and early 1950s under coaches Wes Fesler and Woody Hayes, the Ohio State Buckeyes employed the single-wing offense about 60% of the time and the T-formation on most other occasions. Vic Janowicz was the tailback in the former, and halfback in the latter. Oh, he also kicked, punted, returned kicks and played safety in an era when the two-platoon system was regaining its popularity.
  

Janowicz’s versatility and prowess were showcased on Oct. 28, 1950, when he scored 14 points in the first three minutes of the game against visiting Iowa.

On the first play from scrimmage, Janowicz recovered a Hawkeye fumble. Four plays later he scored, then kicked the extra point.

He then kicked off to Iowa, who went three-and-out. The punt went to Janowicz, who ran it back 61 yards for a touchdown. He again kicked the PAT.

Before two more minutes had elapsed, he scored on a touchdown pass to Tony Curcillo, then added the extra point.

During the remainder of the afternoon, Janowicz passed for three more touchdowns and kicked seven more extra points (he missed one). He carried the ball six times for 31 yards (an average of 5.1 yards per attempt) and was five-for-six passing, for 128 yards.

He accomplished all this playing only 13-1/2 minutes.

There’s no telling what he might have accomplished if that game had been played in today’s era of running up scores to satisfy some computer ranking scheme.

As it was, OSU beat Iowa 83-21.

Hell, that wasn’t even an Ohio State or a Big 10 record. In 1916 the Buckeyes defeated Oberlin College 128-0; in 1939 Michigan manufactured 85 points, shutting out Chicago to set a modern Big 10 mark. 

After the OSU-Iowa game, Buckeye coach Wes Fesler said, “No team ever had more breaks than we had. There is no great feeling of satisfaction among the coaches. We know we won’t get scores that easy the remainder of the season.”

He added, “You might not believe this, but no one hates that big total more than I. But what was I supposed to do? If you kick on first or second down, you’re insulting the other team. You can’t tell a boy to go in there and not give his best.”

For the 1950 season, Ohio State was 6-3, outscoring its opponents 286-111.

Janowicz went on to win the Heisman Trophy that season, and was named The Sporting News #1 collegiate performer.

Because he owed Uncle Sam a hitch in the Army, Janowicz was not taken until the seventh round (#79 overall) in the 1952 NFL draft by the Washington Redskins. He went on to a modest two-year (1954-55) career in the NFL, while also playing for the Pittsburgh Pirates in 1953-54. An auto accident in 1956 ended his professional athletic career.


Saturday, July 27, 2013

Casey's suicide was a dick move

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

I ‘m not qualified to judge what drives any man to eat his shotgun. If and when an individual determines that his life must end, I’m going to give him the benefit of the doubt and assume he has weighed the alternatives as well as the consequences for those he leaves behind.

However, I may well pass judgment on the manner in which a suicide is carried out.

And for my money, former major league pitcher Hugh Casey’s suicide was a dick move.
I don’t pretend to know what is too much for any man to bear, but I do know that it is never alright to check yourself out in a manner that causes family and friends more heartbreak than necessary.

Casey’s last phone calls may have been the proverbial “cry for help,” but to my way of thinking they crossed a line.

On July 3, 1951, Casey committed suicide in an Atlanta hotel room, shooting himself with a shotgun. His estranged wife, Mrs. Kathleen Casey, listened to the shot over the telephone.

Prior to pulling the trigger, Casey had telephoned a close friend, Gordon McNabb, an Atlanta real estate dealer, shortly after midnight advising him to come to the hotel. Casey told McNabb, “You’ll see me, but I won’t see you.”

McNabb, upon his arrival at the hotel, tried to call Casey’s room, but the line was busy.
Rushing to Casey’s hotel room in an effort to prevent the suicide, McNabb reached the door just as Casey fired the shot.

McNabb ran downstairs to get help, returning with a bellhop and a policeman. When they entered the room, Casey was sprawled face down, the telephone receiver still in his hand, a 16-gauge shotgun was at his side.

Officer J.M. Bagwell picked up the receiver and asked the operator for the number Casey had been connected with. He called the number and Mrs. Casey answered. She said that she had been talking with her husband and that he told her he was going to kill himself.

“I begged and pleaded with him not to do it,” Mrs. Casey said. “I tried to tell him that was for God to do and not for him to do. But he said he was ready to die . . . that this was his time.

“He was just as calm about it as if he was about to walk out on the ball field and pitch a game.”
           
According to a report in The Sporting News, “Mrs. Casey blamed the pitcher’s suicide on a paternity suit in New York last December in which he had been ruled the father of a one-year-old son born out of wedlock to Hilda Weissman, a 25-year-old Brooklyn brunette. Miss Weissman alleged that she had spent four nights in a Brooklyn hotel room with Casey early in 1949.”

His last words, according to his wife, were: “I am innocent of those charges.”

Mrs. Casey insisted that the paternity suit “had nothing to do with our separation.” She said at that time that she was sure he was “not guilty of being the father of this child,”
Casey was ordered to pay $102 “laying in” expenses and $20 a week child support.

She said her husband told her that he felt “all dead inside.”

“I’ve felt that way since all the embarrassment I went through and the embarrassment I had to drag you through,” she quoted him. She said her husband had threatened to take his life several times since the paternity suit was filed.

According to the TSN article, W.M. Mobley, the bellboy, said Casey had told him that he was going to kill himself because a doctor told him he had only 10 days to live because of “a leakage of the heart.”

Casey had begun pitching pro ball at Atlanta in 1932 at the age of 18. He ended his life there 19 years later.

A comprehensive biography of the pitcher can be found at the SABR online biography project: http://sabr.org/bioproj/person/312ca33d .

A few of the highlights . . .

In 1935 he had earned a promotion to the major leagues with the Chicago Cubs, appearing in 13 games as a relief pitcher.

After three more seasons in the minors, Casey returned to the bigs with the Brooklyn Dodgers. In his first big league start on Decoration Day, 1939, he handcuffed the Giants at the Polo Grounds and beat Carl Hubbell 3-1.

Casey was the losing pitcher in Game 4 of the 1941 World Series when Mickey Owen dropped the third strike and Tommy Henrich reached first base.

In 1947 he was 10-4 to help the Dodgers to the pennant. He set a record by appearing in six World Series games. He got credit for two wins but the Yankees won the Series four games to three.

After receiving his unconditional release from the Yankees in 1950, Casey returned to Atlanta and spent his last diamond days there. He won 10 and lost four in 1950, when the Crackers won the Southern Association pennant.

On Jan. 31, 1951, the Internal Revenue Service slapped a tax lien of $6,759 against Casey for unpaid taxes, penalties and interest for 1949.

His last pitching gig was with the Brooklyn Bushwicks in a semi-pro game on May 13, 1951, when he gave up four hits in five innings.

The former Dodger pitcher was buried beside his parents in the Mt. Paran Baptist Church Cemetery in Buckhead, Ga., on July 4. Two former Dodger teammates, Dixie Walker and Whitlow Wyatt, then with the Crackers, were among the pallbearers, and members of the Atlanta team formed an escort.

At the time of his death he operated a steak house and bar at 600 Flatbush Avenue in New York. He had appeared in his bar for the last time a week before his death, telling friends he had to travel to Atlanta on a trip that would cost him “ten grand,” referring to the IRS judgments. Raising a glass to Casey at his bar afterwards, one customer said, “Ten grand would have been cheap, compared to what he paid.” Another customer reflected that Casey was “kind to everybody except himself.”


Mrs. Casey received the standard widow’s benefit for any player who died before the age of 50, $100 a month for 12 years.

Thursday, July 25, 2013

Rethinking my '69 Joe DiMaggio custom card

Last time (July 23) I presented my 1969 Topps-style Joe DiMaggio custom card creation.

I mentioned that having to reuse the photo that I had used for my 1968-style card was less than ideal and that I'd be looking to upgrade if a new photo came along.

That new photo was quick in coming. A regular reader directed me to a photo on the internet that appears to be a larger version of the portrait photo 35mm slide I had been unable to use earlier because of its horizontal orientation. This new picture is vertical in nature, picturing the A's coach in a pose from cap to upper chest.
Its format lends itself well to a 1969-style baseball card.

I'm definitely satisfied with the front of my newest custom card, but I'm still up in the air about the back.
As I said on the 23rd, I was unable to convert the portrait photo to a close approximation of what Topps had done.

I made another attempt at the back with a more stylized/posterized image. I'll look at both for a while before I decide which version will be printed.


Tuesday, July 23, 2013

1969-style Joe DiMaggio custom

This 35mm slide of a smiling coach Joe DiMaggio seemed
like it would make a nice 1969 Topps-style custom, but
the orientation proved to be too horizontal.
While it's somewhat jarring to see The Yankee Clipper in a Charley Finley-era A's uniform, it makes a striking "card that never was."

About a year ago I created a 1968 Topps-style custom card of DiMag as an A's coach.


Later I found another photo of DiMaggio in an Oakland uniform, so I knew I had the makings for a 1969-style custom (those were the only two years he served as an A's coach).

Turns out I was wrong about the suitability of that photo for a card. The picture was in the format of a 35mm color slide and was horizontal in orientation. It didn't turn adapt well to the vertical format of a 1969 Topps card. To enlarge the picture enough to fill the frame top-to-bottom, it became too wide to comfortably fit the colored circle with the name and position.

I'd probably have scrapped the idea of making a '69 DiMaggio card, but I had already invested a lot of hours in making the card back . . . it was not an easy task.


Backs of the 1969 Topps managers' cards have an artwork rendition of the skippers' portraits that , try as I might, I could not closely duplicate. I had to settle for a reasonable approximation.

Likewise, I didn't have anything in my type fonts file that matched the hand-drawn lettering found on the originals.

Fortunately, there are a couple of sites on the internet that offer hundreds of free fonts that are easily dragged and dropped into my Photoshop Elements program. After several hours of searching I found fonts that only side-by-side comparison with a "real" 1969 manager's card would reveal to be an inexact match.

With my first choice for the front photo proving unworkable, I decided to reuse a closer cropping of the colorized DiMaggio photo that I had used on my 1968-style custom. I put it on the dark-skied background from the unused slide.


It's was a good, not a great, result.

I think the finished product suffers some from my adherence to the Topps standard of using a  purple circle with white and yellow type for the player identification. I'm not sure that works with the violet tone of the background sky.

As I worked on this write-up and looked at the images of my first attempt at a 1969-style DiMaggio coach's card, I decided I couldn't make that my final ink-on-paper custom card.

So I went back to the drawing board. I studied the original Topps '69 A's cards and realized that virtually all of the photos had been taken in spring training with a bright blue Arizona sky as a backdrop. I knew my DiMag would have to match that look.

I decided adopt the Tom Reynolds background. With a couple of hours more work, I came up with a card front with which I'm much more satisfied. I'm not totally happy with having had reused the same picture that I used on my '68, so I'll keep my options open in case a new photo of DiMaggio in an Oakland uniform comes my way. 

Friday, July 19, 2013

Thompson, Newcombe made history July 8, 1949


Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

I wonder if the 34,468 fans at Ebbets Field on July 8, 1949, had any idea they were witnessing baseball history when Henry Thompson of the New York Giants stepped to the plate to lead off the top of the first inning.

On the mound for the Brooklyn Dodger was Don Newcombe. It was the first time that a black batter had faced a black pitcher in a regular major league game.

Thompson, who’d had a two-week trial with the St. Louis Browns in 1947, was called up from Jersey City (International League) by the Giants while hitting .296 with 14 home runs.

On July 8 he made his National League debut starting at second base in place of Bill Rigney, who was nursing a bone bruise on his glove hand.

Thompson popped out in his first at-bat against Newk. In the third inning he drove Carl Furillo to the wall to catch a long fly. Thompson went hitless for the day as the Dodgers won 4-3.

Thompson’s teammate and former Newark roommate Monte Irvin also debuted in that July 8 game. He drew a walk as a pinch-hitter in the eighth inning, but by then Newcombe had given way to relief pitching.

Four days later, in the 16th annual All-Star Game at Ebbets Field, history was again made. Larry Doby (Indians) of the winning American League squad, and the Dodgers’ Newcombe, Roy Campanella and Jackie Robinson for the N.L. were the first blacks to play in the All-Star Game.


Monday, July 15, 2013

Did "Madmen" kill the T-cards?

Years ago while researching the phenomenon of baseball (and other subjects) cards' use to sell cigarettes in the extremely competitive market of the 1880s-1910s, I read a compelling argument that indicated it was not the various Federal anti-trust legislation, etc., that doomed the tobacco cards, but an advertising ploy.

According to that source (which I have long forgotten), an advertising "hook" from camel was the reason for the demise of insert cards and premium offers by the American cigarette companies.

The Camel brand was introduced in mid-1913 by the R.J. Reynolds tobacco company. It was designed to be a smoother, milder (!) smoke that could be sold at the then-lower price point of 10 cents a pack.

Printed on the back of every pack of Camels  was this notice: "Don't look for premiums or coupons, as the cost of the tobaccos blended in CAMEL Cigarettes prohibits the use of them."

It was simple . . . and effective.

Once that statement became widely known among U.S. smokers, it is said the competitors could no longer include picture cards or gift-redemption coupons in their cigarettes without tacitly admitting that they did so at the expense of using better tobacco.

A few brands -- geographically concentrated in the Southeast -- bucked the trend until 1920 or so, but Camel's ad men appear to have killed the tobacco card.

Could it really have been that simple?

Camel was still trading on that concept at least as late as 1949, as illustrated by the photos here which, according to the Series 119 designation of the tax stamp, date to 1949.

Camel not only killed the t-cards, but they also killed any notion I might have ever had to take up cigarette smoking.

Back in the late 1950s or early 1960s, when I was around 10 years old, my next-door neighbor, Kevin Hamberger, sneaked one his dad's unfiltered Camels out of the house and we took it behind the garage and fired it up. 

The coughing fit that ensued from just one drag on that cancer-stick permanently cured me of all interest in smoking. 

Thursday, July 11, 2013

Mays was 'Jackie Robinson' of Inter-State

     I learned something I never knew about Willie Mays when I found a notice about his debut in Organized Baseball in the July 5, 1950, edition of The Sporting News. I had not known that Mays was something of a “Jackie Robinson” in that he integrated a minor league.

The lead item in the “Class B Minor League Highlights” roundup column in that issue was headlined “Giants Outbid Five Clubs for Mays, Negro Prospect”.

The unbylined article, datelined Birmingham, Ala., read . . .

     With an outlay of $15,000, of which the Birmingham Black Barons will receive $9,000 and the player $6,000, the New York Giants outbid five major league clubs for the services of Willie Mays, 19-year-old Baron center fielder, He has reported to the Giants’ Trenton Inter-State farm club.
     In his first nine home games with the Black Barons, Willie was hitting .394, including six doubles, one triple and one homer in his 13 hits in 34 times at bat. He also had two assists from center field.
     Eddie Glennon, general manager of the Birmingham Southern Association club, believes Mays could be converted into a pitcher because of his powerful right arm, but Willie’s manager, Vic Harris, kept him in the outfield because he wanted to use him every day.
     Mays was the first Negro to play in the Inter-State League, making his bow in the outfield for Trenton, June 24. He went hitless the first night, but beat out a couple of infield hits the next day.

The Inter-State League in 1950 was comprised of Wilmington in Delaware, Hagerstown and Sunbury in Maryland, Trenton in New Jersey, and, in Pennsylvania, Harrisburg, York, Lancaster and Allentown.


In 81 games with Trenton in 1950, Mays batted .353 (second in the league) with four home runs. 

Monday, July 8, 2013

My Luis Marquez custom card, the denouement

Yesterday I presented the reasons why I've chosen to create a custom card of Luis Marquez. Today I'll give you the nuts and bolts of the card's creation.

I had the choice of working in the 1952 Bowman or the 1952 Topps format; I chose the latter.

Die-hard '52T fans might recognize the background as coming from the Al Widmar card, #133,  in the original set. That photo, by the way, was actually at least four years old when Topps used it, and it originally pictured Widmar in a St. Louis Browns uniform.


I encountered a bit of a bother in trying to find an autograph to use on the card front. After initially having no luck in an internet search, I contacted John Rumierz, a fellow creator of custom cards who specializes in players that Topps passed over in 1952. He emailed a scan of the autograph he'd used on his own '52T-style Marquez card.

As I was making final preparations to print my Marquez custom, however, I did another eBay sweep and found a Marquez signature on an index card, dated 1976. The autograph did not appear to have been in the same hand as the earlier acquired piece, even allowing for the evolution of Marquez's autograph over 25+ years.

After consultation with Rumierz, I decided to go with the 1976 version, since the seller had a quantity of similar index cards with vintage player signatures.

I also had to rethink my back copy. I had originally written the biographical sketch with specific mention of Marquez's Puerto Rican League and Negro National League stats. In the back of my mind, however, those details didn't jibe with my recollection of what Topps' original writers had done with the card backs in 1952.

So I did a search of the backs of black and Latino ballplayers cards in 1952 Topps and confirmed that winter league experience was totally ignored and the Negro Leagues were relegated to "semi-pro" status, if mentioned at all.

I rewrote the back of my card to more closely conform to the 1952 Topps style. 


In my research I also noticed for the first time that Topps' copywriters often used numerals -- 2, 3, 5, etc., -- instead of spelling out small numbers. I had not conformed to that convention in my earlier 1952 Topps-style customs, but did so for this one. Topps writers also overused capitalization of nouns on many card backs in 1952, but I won't be adhering to that style.

You might be surprised to learn that this is actually my second custom card of Luis Marquez.

Back around 1982 I used my collection of Braves photos to create a 1953 Boston/Milwaukee Braves collectors' card set, my first venture into custom cards. I sold a hundred or more of the sets in Sports Collectors DigestBaseball Cards magazine, etc., then sold the printing materials to Larry Fritsch, who reissued the set in 1983, on the 30th anniversary of the Braves move to Milwaukee.

Earlier, Marquez had been in the 1972 Puerto Rican League stickers set as a coach with Mayaguez.

I don't have the checklist at hand, but I believe Marquez was also included in Ed Broder's 1970s "popcorn" set of P.C.L. players of the 1950s-1960s.