Showing posts with label Johnny Cash. Show all posts
Showing posts with label Johnny Cash. Show all posts

Wednesday, October 14, 2015

Expanding my non-sports custom card repertoire with a Hit Stars Johnny Cash


As a card-collecting kid in the 1950s I only recall having a single card from Topps' 1957 Hit Stars set, Nat "King" Cole.

I have a distinct memory of playing with that card one Sunday night when Cole was on the Ed Sullivan TV show. Cole appeared on the Sullivan program 14 times between 1949-61. My recollection probably dates to his penultimate guest shot in 1958, after he had become the first black entertainer to have his own television variety series in 1957, the year Topps Hit Stars were released.

My latest custom card project is in the format of that 88-card Topps set.  I've created a Johnny Cash Hit Stars card.

I've always been a big fan of The Man in Black; something I "inherited" from my older brother, who in the late 1960s and early 1970s bought more than half a dozen Cash albums. They were passed down to me (I still have them) when my brother died in 1976. Since then, I've added a handful of CDs, and they remain in my music rotation while driving.

Cash was one of only two live concerts I attended in my college days. The other was Don McLean.

Making a Johnny Cash Hit Stars custom wasn't too tough. Topps didn't use a lot of fancy graphics on front and its choice of typefaces was fairly basic, with each remaining readily available to today's card creator.

There is, of course, no shortage of great Johnny Cash portrait photos available, though color pictures from his early years are scarce. I opted to colorize a black-and-white photo that I thought fit the "look" of the original Hit Stars cards, which mostly relied upon publicity shots from the record labels.

The biggest challenge came in trying to summarize Cash's musical biography through 1957 in about 80 words. I like to think I captured the style of the Topps writers.

I don't currently have plans to create any more Hit Stars customs, but as always, my custom card making plans are subject to change.



Thursday, January 29, 2015

Song-inspired Rails & Sails train customs



Two of the most famous trains of the last half of the 20th Century achieved their renown based on popular recordings.

The song Orange Blossom Special was written by Floridian Ervin T. Rouse in 1938 and recorded the next year with his brother. Since then it has been covered by every male country performer of note.

My favorite version is Johnny Cash's, recorded in 1965, which reached No. 3 on the Billboard Hot 100 Country Music Charts. While OBS has been called the "fiddle players' national anthem," The Man in Black took it in a different direction, substituting two harmonicas and a saxophone for the fiddle parts.

The 1955 Rails and Sails-style custom card I created is based on circa 1940s linen postcards, of which there are several types. Such cards were sold on the train itself and at every station stop along the route. I did a little cutting and pasting to get the final image for my card.

I don't remember when I've had as much fun doing the research for a card back. I lost myself for most of a day googling the internet and exploring the many tangents. I'd forgotten how much I love mid-century trains. (See my blog post of Oct. 29 for my first R&S train card and background of my personal interest in 1950s streamliners.)




My follow-up R&S train custom card was inspired by the 1972 Arlo Guthrie folk song City of New Orleans. The song went to No. 18 on the Billboard Hot 100 Singles Charts.

It has been reported that Guthrie first heard the song when he was approached by its writer, Steve Goodman, in a Chicago bar in 1971. Guthrie said he'd listen if Goodman would buy him a beer. He agreed to record it on the spot.

After the release of Willie Nelson's version in 1984, Goodman was posthumously awarded the 1985 Grammy for Best Country Song. 

I've been an Arlo Guthrie fan since my college days, based on his 1967 hit ballad Alice's Restaurant Massacree. (The 1969 movie . . . not so much.)

Again, a gloomy winter Sunday spent researching the City of New Orleans (the train and the song) was a high point in the creation process.

As long as I am on a train "kick," I've got a couple more Rails and Sails additions in the works. Watch this blog for the revelation in a week or two.