Stan Musial added to my '53 customs

Because Stan Musial declined to appear on most of the principal national bubblegum card sets of the 1950s, when he was at the peak of his popularity, if not performance, custom card makers have been attempting to fill those gaps (1954-55 Bowman, 1951-58 Topps) for more than a decade.

Being a Milwaukee Braves backer in that era, I was never The Man's biggest fan, though I respected his skills on the field and his persona outside the white lines. That admiration only increased from the 1980s until the time of his death a year ago, as he exemplified the image of one of the all-time greatest growing old with dignity. 

Musial has been among the cards most frequently requested by collectors who follow my custom card creations. For a number of years I've been setting aside photos that suggest to me they might be used to create Topps and Bowman format cards from the "missing" years.

A recent very cold, very snowy Wisconsin winter weekend seemed like the right time to create my first Musial custom. The result is the 1953 Topps-style card presented here.

Do you recognize the components used for the card front? The portrait is that used on the 1954 Red Heart dog food Musial card. It offers the suitable artwork look of the original '53T. The background of my card is from the 1953 Topps Cloyd Boyer card, flipped horizontally for a more pleasing composition.

My Musial card bears one of the "missing" numbers from the original Topps set.

I don't envision creating a full run of the Musial cards that Topps and Bowman omitted from their sets in the Fifties. Some of the other custom card guys have their own versions of many of the Musials "that never were, and Topps has gone retro to create some of them; they had a 1954 style card in their 2007 set issued for the National Convention, and in their 2011 set of "missing" cards they had 1953, 1955 and 1956 versions.

More Musials will be forthcoming as time permits and the mood strikes. I'm nearly finished with a 1956 and you can definitely count on a 1958; a 1957 is probable, as is a 1955 Bowman.

Draft officials equated ballplayers with "freak-show operators"

Despite a punctured ear drum, high
blood pressure and a heart ailment,
Ron Northey's 4-F draft status was
revoked towards the end of WWII.

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

At the start of 1945, the U.S. War Department took a renewed interest in the draft status of professional athletes.

This was partially in response to agitation for citizens who wondered how a fellow who had been deemed unfit for military service could be desporting himself on the ball diamond or the gridiron.

Having suffered significant losses in Europe at the end of 1944 as U.S. forces met stiff resistance on their drive into Germany, and facing the reality that the impending invasion of Japan could rack up tens of thousands more casualties, replacement troops were at a premium.

Thus in early 1945, it was ordered that all rejections of 4-F professional athletes by local draft boards had to be reviewed by the office of the Adjutant General in Washington,D.C. The directive was retroactive and would eventually result in many major and minor league ballplayers being reclassified and inducted into the armed services.

In its Feb. 1, 1945, edition, The Sporting News printed excerpts from the War Department’s order:

            1. Attention has been directed to the fact that many registrants who are deferred as physically or mentally disqualified for military service or who have been discharged from the armed forces for physical or mental reasons are, despite their apparent physical defect, engaged in the principal occupation of professional athletes.

            2.In the case of any such registrant where it is indicated by his participation in professional athletics that he may be physically or mentally qualified for military service, the local boards should review his classification. If upon review . . . the local board finds that such registrant is physically and mentally qualified for service in the armed forces, it shall reopen his classification and, unless he qualifies for a deferred classification, shall classify him anew as available for service.

The first major leaguer to be caught in the draft under the new guidelines was Phillies outfielder Ron Northey.

The slugging outfielder with the rifle arm had twice been rejected for military service during the 1944 season because of a punctured eardrum. On Dec. 20, 1944, he was recalled for examination. After four days of medical exams he was informed that he was 4-F due to high blood pressure and a heart ailment.

Less than a month later, without a notice of reclassification, he was ordered to report for induction. He applied for naval service but was rejected because of his punctured eardrum.

With the war ended, Northey was discharged near the end of 1945 and returned to the Phillies for the 1946 season.

Like many ballplayers during World War II, Northey had an off-season job doing essential war work; in his case, on the waterfront.

Professional athletes were included on the list of occupations considered “less essential” by the War Manpower Commission.

That list also included, according to a St. Louis draft official who provided it to TSN: “Taxicab drivers, insurance salesmen, bootblacks, bellhops, elevator operators, reds, floral clerks grocery clerks, department store clerks, department store truck drivers, all retail counter salesmen, hotel room clerks, meter readers, poolroom and bowling alley workers, pinball machine and other amusement device workers, maintenance and otherwise, soda, hamburger-stand, restaurant and dining-room employes, doormen (and) freak-show operators.”

According to the War Department, “All men engaged in these occupations should transfer to war work immediately.”

Third '55AA multi-player custom card honors Texas trio

Collectors of vintage football cards know that among the original 100 cards in Topps 1955 All-American college football set there was one multi-player card, the short-printed Four Horsemen of Notre Dame, which is the most expensive card in the set.

I've recently completed the third multi-player card in my on-going "updating" of the Topps classic. (My first two were "The Three Stooges" and "Mr. Outside and Mr. Inside," which featured Army's 1940s "touchdown twins" Felix Blanchard and Glenn Davis. 

It's called "Texas QB Trio" and features the three Longhorn quarterbacks of 1947, Hall of Famers Bobby Layne and Paul Campbell.

Layne and Landry, of course, had lengthy pro football careers. While Campbell was drafted by the Philadelphia Eagles in 1948, he never played professionally.

Actually, I'm at a loss to tell you what Paul Campbell did post-UT. His name is so common that even combining it with such keywords as "Texas" and "quarterback," I was unsuccessful in googling up anything about him. How the starting QB of the 7-3-1 1947 Longhorns and 41-28 winner of the Orange Bowl versus Georgia can remain so obscure is a mystery to me.   

When I found the black-and-white photo of the Texas tossers I originally intended to only use the Tom Landry portion for a single-player AA card. However, since Landry was principally a fullback, defensive back and punter at Texas, making a card of him as a quarterback didn't seem quite right. That's when the idea was formed to make a card with all three players.

The day will probably come when I do make a solo Landry card, and of course I made a Bobby Layne card a number of years ago. But I like the concept and finished product of my "Texas QB Trio" card.

Sleater wrote his ticket back to bigs

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

Persistence—and perhaps penmanship—seems to have earned Lou Sleater his chance in the major leagues after six seasons pitching in the minors.

Sleater was acquired by the St. Louis Browns on waivers from the N.Y. Giant after spring training in 1950. He had a 12-5 record with San Antonio, the Browns' Texas League affiliate, in 1950. 

After having pitched a single inning for St. Louis in 1950, Sleater was with the Browns from late April through July in 1951, working himself to a 1-9 record before being sent out on loan to the Yankees' Kansas City farm club in the American Association for the remainder of 1951, winning four and losing two.

To make sure that Browns owner Bill Veeck didn’t forget him, Sleater kept up a constant correspondence between K.C. and St. Louis.

Before the 1952 season got under way, Veeck described how Sleater had kept in touch. “Realizing that I was greatly interested in his pitching,” Veeck said, “Lou wrote me a letter after every game he pitched, telling me just how he fared, what he did right and what he did wrong. He also enclosed clippings from the daily newspapers to back him up.

“Even when he lost, which was seldom, Sleater wrote me. Believe me, that boy was interested in his work and wanted to make sure that I was, too. And, incidentally, I was—and if he doesn’t make the grade with our club, I’ll be terribly disappointed.” 

As it turned out, Sleater did return to the majors with Veeck’s Browns in 1952, but only for four games (0-1 record) before being traded to the Washington Senators.

While with Washington, Sleater was the pitcher that halted Walt Dropo's record-setting streak of 12 hits in 12 consecutive at-bats. In relief, he gave up Dropo's third hit of the second game of a July 15 doubleheader, a double in the fifth inning, before inducing him to foul out to the catcher in the seventh.

Though Sleater was 4-2 for the Senators in 1952, he spent the entire 1953 and 1954 seasons in the minors.

He returned to the majors in 1955 with Kansas City, spent 1956 with the Braves, went to the Tigers in 1957 and split 1958 with Detroit and the Orioles before leaving pro ball.

Despite pitching in all or parts of seven seasons in the major leagues 1950-58, Sleater only had three career-contemporary mainstream baseball cards, 1952-53 Topps with the Senators and 1958 as a Tiger.

1956 Topps-style Bart Starr custom card

One of my childhood favorite football card issues was 1956 Topps. I'm always looking for an opportunity to replicate that format in my custom card creations.

The recent discovery on eBay of an early photo of Starr with the Packers gave me the impetus to create a custom '56-style card. It's my take on what Topps might have done if they had done a rookie-year card for the future Hall of Famer.

Because of the small size of their football card sets in the 1950s, Topps was not real aggressive in putting untried rookies on its checklists in that era. 

This is my second Bart Starr custom card. Some years back I created an All-American style card of Starr as an Alabama quarterback. Actually I did two such cards. My first utilized a full-length posed action photo that I was not entirely satisfied with. I late replaced that picture with a portrait pose. 

My 1956-style Starr card is the third I have done in that design. My earlier efforts were Johnny Unitas and Max McGee.

I'll be on the lookout for contemporary photos that I can develop into other '56 customs.

Cameron Mitchell's one-game pro career

Cameron Mitchell as Uncle Buck Cannon on
The High Chaparral, 1967-71.

While he attained fame and fortune as an actor on stage, screen and television, Cameron Mitchell always believed he could have made a career in professional baseball.

He did well enough in high school in the mid-1930s that he attracted the attention of major league scouts. One biographer said that Mitchell kept an unsigned minor league contract from the Detroit Tigers’ organization throughout his life.

In Hollywood during the 1940s he was active in charity benefit games and other amateur outings.

On Aug. 18, 1947, Mitchell pitched for the Hollywood Stars against the Los Angeles Angels in an exhibition game to benefit the Damon Runyon Cancer Fund. He pitched four innings of shutout ball against the Pacific Coast League leaders. Hollywood won 4-3.

(Another feature of the benefit game was a celebrity home run hitting contest won by Burt Lancaster; Jack Dempsey, Henry Fonda and Leo Durocher also participated.)

Shortly thereafter, Mitchell signed an Organized Baseball contract with the Las Vegas Wranglers of the Class C Sunset League.

On August 31, in the second game of a Sunday doubleheader at Ontario (Calif.), Mitchell made his professional debut. It proved to be his only game in pro ball.

He was staked to a five-run lead when he took the mound in the bottom of the first inning. What was described as his “slow side-arm curves” proved to be nothing more than batting practice for the Orioles.

Lasting only 2/3 of an inning, he gave up 11 runs on six hits and three walks (striking out one) and was tabbed with the loss in an 18-10 defeat.

The actor had been slated to make another start, in Reno, but after his knockout in Ontario, the Wranglers’ general manager said, “We have decided against it.”

Mitchell claimed that he once singled off Satchell Paige . . . then was picked off first base. He said the encounter came in 1935, when he would have been about 17 years old.

"That man had the fastest ball I've ever seen," Mitchell was quoted. "He'd wind up, lazy like, and that ball just smoked toward the plate -- or first base."

Mitchell is best remembered today for his role as Uncle Buck Cannon on the popular Western television series, The High Chaparral, which aired 1967-71. You can find the rest of his Hollywood story here: http://www.imdb.com/name/nm0593192/?ref_=fn_al_nm_1 .

I spent a good deal of time searching internet photo sites in vain looking for a picture of Mitchell in a baseball uniform. Since he was already an accomplished Hollywood actor in 1947, you'd think there has to exist somewhere a photo of him with the Las Vegas team.

Finally, I don't know what the connection might be, but it doesn't seem like it is coincidental that one of the couples on the current TV comedy Modern Family has the first names of Cameron (Tucker) and Mitchell (Pritchett).

Jackie Jensen's finally on a 1960 "Topps" card

After putting in the work on a 1960 Topps-style card of Ted Williams (see my blog entry for Nov. 28, 2013), I decided to get some further use out of the template I'd made to create a Jackie Jensen card.

You can't fault Topps for not having issued a Jensen card in its 1960 set; spring training was nearly underway when Jensen announced he was retiring from the game.

I provided some details of that event in my posting of July 8, 2012, when I unveiled my 1955 Topps All American-style Jensen football card. I'll repeat it here . . . 

In 1960, Jensen shocked the baseball world by announcing his retirement. While the principal reason put forth was that he wanted to spend more time with his family, it appears that Jensen's fear of flying was the greater motivation. 

As airplanes had replaced trains for much big league travel, Jensen's phobia deepened to the point where he suffered panic attacks in the airport. The team paid for hypnotherapy, but it was ineffective.

Among the most vocal critics of Jensen's decision to retire was The Sporting News.

In the lead editorial in the Feb. 17, 1960, issue, headlined “JENSEN’S OBLIGATION TO GAME,” The paper said, “Jackie Jensen, the unhappy warrior of the Red Sox, finally has made good his long-standing threat to quit baseball. Even though the finality of his decision in refusing to sign with the Red Sox for the new season caught some Bostonians by surprise, none could say he hadn’t been warned. Jensen had threatened to pull up stakes for several years.

            “Throughout his major league career Jensen has moaned about his separations from his family. In announcing his retirement, he also mentioned his pressing business interests on the West Coast. Finally, there were reports from others that Jensen intensely disliked flying.

            “There are those who will say that these are good and sufficient reasons for quitting, and to an extent they are. It is difficult to question the stand of a father who wants to be with his family.

            “But isn’t there some obligation to baseball on Jensen’s part? Baseball has been good to him. It supplied him with a substantial bonus which enabled him to endow his family with earthly goods long before the average family acquires them. And baseball supplied the revenue which set up his business interests.

            “If Jackie Jensen were the only ball player separated from his family, with important connections and a fear of flying, his arguments would be completely sound. But there are others with the same problems who face up to them because they believe they owe baseball that much, because they believe that their example will be an inspiration to the youth of the country.

            “This country would be in bad shape if all of us quit whatever we were doing because it was inconvenient.”

 In his column, “Bob Addie’s Atoms” in the March 2 Sporting News, Addie wrote, “You could say that the decision of Jackie Jensen to quit baseball came as quite a surprise to the Boston Red Sox . . . In fact, the Red Sox’ brochure (Editor’s note: Probably the early edition of the team’s press guide), just off the press, confidently listed Jensen on the roster, and, of course, gave him quite a bit of space in the biographical sketch. . . . Ah, sadness.”

On March 20, at a Red Sox-Cubs exhibition game at Las Vegas, Red Sox broadcaster Curt Gowdy interviewed Jensen, who was on a four-day visit to the Red Sox camp with his wife . . . curious behavior for a newly retired player.

Jensen told Gowdy “there isn’t a chance” of his returning to the team. “I want the Boston fans and the Rex Sox organization to know that I hope I haven’t hurt them by retiring. It’s something I just had to do. If I’ve hurt any of the baseball people or the fans, I’m sorry. I certainly didn’t want to hurt anybody.”

In a contentious session with Boston baseball writers on May 21, team owner Tom Yawkey, perhaps sensing it wise not to burn any bridges, said the retirement of Jensen had “obviously” hurt the team.

 “Jensen had a decision to make,” Yawkey said, “It was a difficult one. I had hoped he would be able to make it in favor of baseball. Unfortunately, it wasn’t. His family was involved and I hope the decision he made to retire turns out best for Jackie.

 “There’s something more to life than baseball,” Yawkey continued. “A family comes first and I admire Jackie for making the decision he did, although the decision wasn’t good for our ball club, the American League and baseball in general.”

After a year's layoff, Jensen returned to the Red Sox for the 1961 season, but at the age of 34, he was not able to return to the level of his previous performance. With the American League having expanded to California and the resulting increase in air travel, Jensen made his retirement permanent following the '61 season.

Though Topps did include Jensen in its regular 1960 set, he was part of the 1960 Bazooka box-bottom set that year. It is my recollection that the Bazooka cards were prepared in those years ahead of the Topps brand.

When Jensen returned to the game for 1961, Topps welcomed him back with three cards in its regular set; there was a "regular" card in the high-number series, a card in the MVPs subset and a multi-player "Beantown Bombers" feature card shared with Frank Malzone and Vic Wertz. Jensen was also on a Topps stamp insert that year.

The color photo on my custom '60 Jensen is a closer-cropped version of the picture that appeared on the cover of the June 23, 1958, issue of Sports Illustrated.

It's ironic that since the 1960 Topps set was one of my favorites during childhood and as a latter-day collector it took me so long to create a couple of my own. Perhaps there will be some more in the future.

'45 Dodgers dodged fiery death in train wreck

Luis Olmo from 1977-80 TCMA
"The War Years" set.

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

A large contingent of the 1945 Brooklyn Dodgers narrowly escaped a fiery death when the train on which they were riding collided with a gasoline tanker truck at a crossing near Manhattan, Ill.

About 6:30 on the morning of Sept. 15, while making a night jump from St. Louis to Chicago, the train of three passenger coaches and three baggage cars hit the gas truck about 40 miles west of the Windy City.

Traveling on the train were 13 players, the manager, two coaches, several team officials. and nine newspaper men. The eight Dodgers regulars (Frenchy Bordagaray, Tom Brown, Augie Galan, Goody Rosen, Mike Sandlock, Ed Stanky, Eddie Stevens, Dixie Walker), who had played a twi-night doubleheader in which they had twice beaten the Cardinals, 7-3 and 6-1, in St. Louis were on another train and pitcher Les Webber had left for Chicago the previous afternoon.

Despite the overnight train ride, they were scheduled to play a Saturday doubleheader at Wrigley. The Dodgers were traveling on a day coach, rather than a Pullman sleeper, due to wartime transportation restrictions. Some were stretched out asleep on the floor, which may have helped minimize injuries from flying glass.

Manager Leo Durocher was credited with averting a panic when the players began to stampede as they saw flames licking at busted windows. “Don’t run, fellows,” the skipper yelled, “Take it easy and go out by the rear door.”

The train’s engineer was burned to death in the cab. His fireman jumped out and was treated at the scene by Dodgers trainer Harold Wendler. The fireman was able to limp to an ambulance and was taken to the hospital with third-degree burns, from which he eventually recovered. The gas truck’s driver escaped serious injury.

None of the Dodgers was seriously hurt. Coach Chuck Dressen suffered an injury to his right knee and Luis Olmo received a cut on his arm from flying glass.

Even the team’s uniforms and equipment were unscathed. While two of the baggage cars were constructed of wood and were destroyed, the team’s equipment manager Danny Comerford had stowed the gear in the third baggage coach, which was built of steel.

The town of Manhattan didn’t fare nearly so well. Townspeople who witnessed the wreck said the train was a flaming torch as it passed through the town of 600 before it was brought to a stop about a quarter-mile down the tracks. A coal yard, a lumber yard and the freight station all caught fire and the Manhattan fire department had its hands full containing the blaze.

Besides the previous mentioned Dodgers, the lucky Bums who escaped the wreck were players Eddie Basinski, Ralph Branca, Cy Buker, John Dantonio, Curt Davis, Hal Gregg, Babe Herman, Art Herring, Clyde King, Vic Lombardi, Johnny Peacock and Tom Seats, coach Red Corriden and traveling secretary Harold Parrott.

Just hours after the accident, the Dodgers split a doubleheader with the Cubs, winning 12-5 and losing 6-7.

Barnstormers also got lucky

Less than a month after the Dodgers’ close call, a barnstorming squad of American League ballplayers also escaped injury in a fatal train wreck.

Bert Shepard from 1948-50
Washington, D.C. Safe-T-Card set.

A Great Northern passenger train derailed about 10 miles north of Great Falls, Mont., on Oct. 9. The engineer and fireman were killed when the locomotive, tender and baggage car overturned.

The American League all-stars were reportedly shaken up but uninjured.

The fortunate ballplayers were Steve Gromek, Frank Hayes, Jeff Heath and Allie Reynolds of the Indians; Sam Chapman, Bobo Newsom and Buddy Rosar of the of the Athletics, Al Evans and Bert Shepard of the Senators and Jim Bucher of the Red Sox.

Bobby Cox gets two custom cards

Bobby Cox, one of the newest Hall of Famers. had only a single mainstream baseball card issued during his playing days, in the 1969 Topps set.

You can't really fault Topps for not including Cox in its 1968 set, because he was making his first major league appearance that season, after eight years in the minors, and Topps may not have had a photo of him in a Yankees uniform.

By the time the 1970 set was being compiled, Cox had played his last game in the big leagues.

A couple of years ago I found a nice batting-pose photo of Cox from the Topps archives and knew that someday I'd be enhancing his baseball card presence with a custom creation. 

When he was announced as having been elected to the Hall of Fame earlier this month, I figured the time had come.

I dithered for a while before deciding on which Topps format to use. 

For some reason the Cox photo most strongly suggested to me a 1971-style card. While it would have been somewhat of an anachronism, it would not have been completely "wrong." The Yankees had, after all, re-signed Cox in July, 1971, after having released him at the end of the 1970 season. He was obviously re-signed for the purpose of developing him as a manager, rather than using him as a player, but a '71-style card wouldn't have been too jarring.

Nobody would have thought twice about seeing Cox on a 1970 Topps card. Though he had lost the starting third baseman job to Jerry Kenney in 1969, Cox had played most of the final month of the season at the hot corner when Kenney had been moved to shortstop.

While a 1970-style Cox custom would have been the most "believable," that format has never been one of my favorites.

In the end I decided to do a pair of Cox cards, in the 1968 and 1971 formats. While the '68 is a decent-looking card, it turns out my gut feeling about a '71 was right.

I think Cox was worth two of my cards, since he was manager of my favorite team in its 1990s heyday. Besides, as I said once in an SCD column 15-20 years ago, as Cox aged, he looked more and more like Charlie Grimm, and for a Milwaukee Braves fan in the 1950s, that wasn't a bad thing. 

Timely rerun of my Phil Robertson custom card

Because he's been much in the news lately, I thought I'd rerun my blog entry Sept. 26 announcing my custom card of Duck Dynasty patriarch Phil Robertson for those who may have missed it

*  *  *

About this time last week I learned for the first time that Duck Dynasty star Phil Robertson had played college football.

Less than 24 hours later, I had created the card you see here as an addition to my updating of the venerable 1955 Topps All-American football series.

If you want to learn about Robertson's days at Louisiana Tech, I recommend this web site:
http://espn.go.com/blog/playbook/fandom/post/_/id/18740/how-good-was-phil-robertson-at-football


That site, and a few others, gave me all the information I needed to create my card's back.

A google search turned up a few images, including the portrait I used. 

That was actually my second choice.

There is a very nice posed action college publicity photo of Robertson widely available on the internet, but when I downloaded it, I found it be too low in resolution to be practical. My efforts to colorize the action photo were atrocious.

The fact that the portrait photo was cut off quite close to the neck made it necessary for me to create the card in vertical format and resulted in the largest player picture I've used on any of my custom '55-style cards. 

Bowman, 0-for-41, called to pinch-hit

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

The situation was baseball melodrama at its finest.

In the first game of an Aug. 12, 1945, doubleheader at the Polo Grounds the game was on the line.

The Reds were down 2-3 in the ninth inning. Two were out and Cincinnati had runners at second and third.

Pitcher Vern Kennedy, batting ninth, was due up. Ace Adams had taken the mound for the Giants after starter Van Mungo had given up back-to-back singles to open the innings.

With the tying run at third and a go-ahead run on second, Jimmie Wilson, filling in as Reds manager while Bill McKechnie was on leave tending to a sick wife, called for a pinch-hitter.

Up to the plate came pitcher Joe Bowman. He flied out to center, ending the game.

You have to wonder what Wilson had been thinking. 

Prior to that pinch-hit appearance, Bowman had gone 41 straight at-bats without a hit. He was batting .057 at the time. Sure, he was a left-handed batter facing the right-handed Adams, but Kennedy also hit lefty and he was batting .233 at the time.

Bowman had been called on as a pinch-hitter nine times previously that season. He had gone 1-for-8 with a walk.

To be fair, Bowman had once been a good-hitting pitcher. With the Pirates in 1938 he had hit .333. In 1939 he had batted .344, but had been only 6-for-33 (.182) as a pinch-hitter.

Following his Aug. 12 at-bat, Bowman had only one more pinch-hit appearance that season, also unsuccessful. 

The 1945 season was Bowman's last year in the major leagues. He'd been a big leaguer in all or parts of 11 seasons since 1932, with two years in the military during World War II. He had a lifetime pitching record of 77-96 with a 4.40 ERA. His lifetime batting average in the bigs was .221.

Bowman's only mainstream baseball card appearances were in the 1939 and 1940 Play Ball sets.

I've updated my 1958 Ed Bouchee custom

Nearly two years ago I created a custom 1958 Topps-style card of Ed Bouchee, filling a gap that Topps had created when it checklisted, but never printed a 1958 card for the Phillies first baseman.

While I was basically satisfied with my creation, I was always somewhat dissatisfied with having had to use the photo from the 1960 Topps Bouchee card.

Some months ago I found a great team-issued posed portrait photo of Bouchee and decided to have another go at a 1958.

While I could have simply replaced the player picture on my black-background earlier card, I decided to explore options.

In the 1958, Topps used five different background colors on its Phillies cards: light blue, blue, black, orange and yellow. I chose yellow for my new Bouchee.

While looking over original 1958 Phillies cards I noticed for the first time that Topps used four different versions of the team name, apparently depending on the length of the position designation that shares the bottom color bar. The team can be found as PHILA. PHILS., PHILA. PHILLIES, PHILADELPHIA PHILS., or PHILADELPHIA PHILLIES.

This should conclude my efforts at adding Ed Bouchee to the 1958 Topps issue.

Reprinted below in my blog posting from March 27, 2012, in which I introduced my first Bouchee card.

Kids looking to complete a set of 1958 Topps baseball cards back in the day were confounded by the inability to locate card #145, Ed Bouchee. 

The Second Series checklist on the back of the Washington Senators team card (#44) confirmed that the Phillies slugging young star first baseman was card #145. But, hold on. The Second Series checklist on the back of the Phillies team card (#134) had no name beside the box for card #145. 

Was there, or was there not, a 1958 Topps card #145 Ed Bouchee?

There was not. 

At least until now . . . sort of .

My latest custom card creation is a 1958 Topps-style card #145, Ed Bouchee.

I'm not going to go into the reasons Topps did not issue the card. It's a sad story that serves no purpose in the retelling. 

Even today, some collectors are not 100% certain that Topps did not print the Bouchee card and that at least a few made it into gum packs. I'm of the opinion that the card was never printed. If it had been on the Second Series press sheet, I'm certain that at least a few would have slipped out. Despite internet rumors to the contrary, nobody has ever seen an authentic '58 Topps Bouchee.

First version of my '58T Bouchee.

Bouchee made his Topps rookie card appearance in the scarce 1957 #265-352 series. Batting .293 with 17 home runs and 76 RBIs that season, he came in second to teammate Jack Sanford in N.L. Rookie of the Year voting. The Sporting News, which divided its own Rookie of the Year awards between pitchers and position players, made Bouchee its N.L. position player winner.

In the remaining five years of Bouchee's major league career, he never again matched his '57 hitting numbers, and ended big league days as a member of the original 1962 N.Y. Mets expansion team. 

With the exception of 1958, Bouchee appeared on Topps cards every year between 1957-62.

It may be coincidental, but the only other major multi-team baseball card issue of 1958, the Hires Root Beer carton stuffers set of 76, also has an unissued card. There is no card #69. However, since there is also no checklist, we'll never know if Bouchee was intended to be part of that set.

For my custom card, I chose to go with the dramatic black background that, if my memory serves me correctly, was only seen on Phillies cards in the 1958 Topps set. I liked those as a kid, and I like them now.

Nashville coach Lucas pinch-hit .444 in '45

Uncommon commons: In more than 30 years in sportscards publishing I have thrown hundreds of notes into files about the players – usually non-star players – who made up the majority of the baseball and football cards I collected as a kid. Today, I keep adding to those files as I peruse microfilms of The Sporting News from the 1880s through the 1960s. I found these tidbits brought some life to the player pictures on those cards. I figure that if I enjoyed them, you might too.

From the time he retired after the 1938 season until 1966, National League pitcher Charles "Red" Lucas held the major league career record for pinch-hits.

In 16 major league seasons (1923-38) the left-hand hitting Lucas collected 114 pinch hits in 437 at-bats for a .261 average.  That record stood until 1966 when Jerry Lynch ended his career with 116 pinch-hits. (Today the record is held by Lenny Harris, with 212.)

In 1945, Lucas again made pinch-hit news when, at age 43, he hit .444 (16-for-36) as a pinch-hitter for the Nashville Volunteers of the Southern Association, a team which he served as a coach. Along with 13 singles he had a double and two triples, had drawn 10 walks and driven in nine runs. The previous season he had hit .333 pinch-hitting for the Vols.

Over the course of his big league career (1923 Giants, 1924-25 Braves, 1926-33 Reds, 1934-38 Pirates), Lucas had a .281 batting average. Pitching mostly for second-division teams, he had a lifetime 157-135 record with 3.72 ERA.

He was a durable, control-conscious pitcher whose mark of 1.6 walks per nine innings is still in baseball's top 20.

Partly because he was such a successful hitter, Lucas once pitched what The Sporting News described as a major league record of 250.1 innings without being lifted for a reliever. In doing my due diligence, however, I found that Jack Taylor of the Cubs and Cardinals pitched in 202 consecutive games without relief between 1902-07.  

Two more notes about Lucas as a pitcher . . . 

In 1921 he threw a no-hitter for Greenwood against Clarksdale in the Mississippi State League playoffs.

After he was traded by the Reds to the Pirates, Lucas never lost a game to Cincinnati; he was 14-0 against them 1934-38.

In a 1945 interview, Lucas credited his pinch-hitting ability to being "blessed with good eyesight." He said night ball didn't bother him. He also noted that he closely studied the delivery of opposing pitchers and that he seldom swung at the first pitch, preferring to get a feel for the pitcher's "stuff." 

Lucas can be found in many of the baseball card issues of his era, most notably the 1933 Goudey and 1934-36 Diamond Star sets.

Another shot for Jack Daniels

It's not surprising that Braves outfielder Jack Daniels had only a single career-contemporary baseball card (1953 Bowman) because he had only one season in the major leagues.

After five seasons in the Boston Braves farm system, including three years at Class A Hartford in the Eastern League, Daniels got his chance as a fourth outfielder for the 1952 team.  He had three things going for him: He was a left-handed batter, he had good speed in the outfield and on the bases, and he had a strong throwing arm.

1953 Bowman

No professional ballplayer can truly be said to have been unsuccessful if he played even a single season in a major league uniform back in the days when the big leagues comprised just 16 teams. Let's just say that Daniels didn't meet expectations.

He was used with minimal success as a pinch-hitter most of the first two months of the 1952 season, then generally was platooned with Bob Thorpe in right field. He batted only .187 for the year, with a pair of home runs. 

Daniels does hold the distinction of being the only major league player to have been hit by a pitch from Ron Necciai, the Pirates strikeout phenom. On Aug. 24, Necciai hit Daniels in the back of the head in the third inning. He was carried off on a stretcher. He spent a night and a day at Pittsburgh's Presbyterian Hospital as a precaution, and rejoined the team in Cincinnati on Aug. 27. 

When the Braves moved to Milwaukee for 1953, they had acquired Andy Pafko for their regular right fielder and Daniels' days in the big leagues were over. Pafko generally hit about 100 points higher than Daniels.

He played six more seasons in the high minors, batting about .247 and twice challenging for his league's home run title. He was second in the Southern Association in 1956 with 34, and fifth in the American Association in 1954 with 23.

Topps certainly couldn't be faulted for leaving Daniels out of its 1952 and 1953 sets, but when I find a nice portrait photo on the internet, I figured it would make a good-looking 1952 Topps-style card.

The front of my custom card utilizes the background from of my favorite '52T Braves cards, Johnny Antonelli.

I credit fellow custom-card maker John Rumierz with an assist on my card back. John specializes in creating 1952-format cards for every player who appeared in the major leagues in 1952 . . . he has done hundreds.
He graciously acceded to my request for a scan of his card's back so I could pick up Daniels' "Past Year" and "Lifetime" stats, saving me a lot of time and frustration searching them out.

Sharing my perspective on baseball in 1945

I've recently returned to my Wisconsin home after a couple of months spent at my Pennsylvania address.

Since I keep my microfilm reader in Pennsylvania, that's where I do my reading of back issues of The Sporting News. from which I glean much of the substance for my posts.

My reading this trip was the year of 1945. Because it pre-dates the resumption of baseball card issue, I had no previous had more than a passing interest the world of baseball at the end of World War II.

As always, I learned a lot by reading contemporary accounts.

While I had known that the war had caused many ballplayers to switch their flannels for Uncle Sam's uniforms. I did not realize the extent of the war efforts claims on manpower. If I recall my reading correctly, some 450+ men on major league rosters were called into service between 1940-45, and the minor leagues contributed more than 4,000 men, so severely limiting resources that many of the lower classification circuits closed their parks for the duration.

What I hadn't fully appreciated was the fine line baseball (and other sports) had to tread to maintain public sympathy and government acquiescence for its officially 4-F players who were performing professionally. Many thought that if a man was able to play for pay, he should be required to serve in some capacity in the military.

I found interesting that shortage of transportation resources -- space on trains, as well as gas and tires for buses and autos -- forced much scrambling by teams to create and maintain schedules. It's widely known that during the war teams were largely restricted to spring training  sites near their home bases. Things got so bad that in 1945, one highly-placed Detroit Tigers official seriously suggested that the team's spring training should consist of the team walking between its spring training camp to a city some 375 miles away, and playing exhibition games along the way over the course of three weeks.

The 1945 TSN provided great first-hand accounts of amputee big leaguers such as Pete Gray and Bert Shepard. One congressional representative suggested that each major league team be required to have on its roster an amputee.

Of course the baseball year 1945 closed with a bombshell when Jackie Robinson was signed to a contract with the Montreal Royals in the Brooklyn Dodgers' system. Many columns were filled with reaction to the news; much of it was fascinating reading from the vantage point of nearly 75 years of perspective.

So I've got 12 or 15 prospective blog posts concerning baseball as it was in 1945 that I'll share with you over the next two or three months, interspersed, of course, with presentations of my newest custom/fantasy card creations.

'47 Yankees win skein generated rare memorabilia

(Photos courtesy Hunt auctions.)

My interest in the hobby has always tended more towards baseball cards than collectible memorabilia, so I’m not surprised that I never knew of the existence of team-issued keepsakes to New York Yankees active during the team’s 19-game winning streak June 29-July 18, 1947.

A short article in the Aug. 27, 1947, issue of The Sporting News’ “Major League Flashes” column revealed the existence of those items:

YANKS RECEIVE MEMENTOES

Yankees with the club during their 19-game winning streak received mementoes of the feat, August 15. They had the choice of a wrist watch, traveling clock or table cigarette humidor, each bearing the inscription, “New York Yankees, 19 straight, American League record,” with the name of the player.

There was no mention of which of the front office staff may have also received the gifts, and while they were not mentioned, it can be presumed that manager Bucky Harris and the coaches also were recipients.

Unless there was more than one version of the inscription, TSN got it slightly wrong.

The watch that was presented to Joe DiMaggio is engraved on back with a facsimile autograph at top, the Yankees logo at center with “19” to the left and “47” at right, and below that, “19 STRAIGHT WINS / AMERICAN LEAGUE RECORD”.

The watches were 14K gold, manufactured by Jules Jurgensen.

DiMaggio’s watch was sold in a Hunt auction in May, 2006, for $7,590.

The watch presented to player-coach Frank Crosetti was also known in the hobby, but was reported lost in Seattle a few years back.

The Yankees winning streak began in the second game of a June 29 doubleheader. During the string of wins, they played seven doubleheaders, including back-to-back-to-back twin bills on the road July 12-15 and another on the 17th.

On July 18, Fred Hutchinson of the Tigers ended the streak with an 8-0 shutout.