Tuesday, October 19, 2010

Second 1952 Indians Picture Pack reported


I know it seems like we've been seeing more Indians than Custer, but I really don't mind. I wish we had as many dedicated vintage team specialists for the other teams as we do for Cleveland. These reports expertly expand the scope of our coverage of team-issued collectibles that we can share with the rest of the hobby in the pages of the Standard Catalog of Baseball Cards, and possibly some day, in other, even more comprehensive, venues.

The most recent addition to the body of knowledge again comes from Chuck Lobenthal, who presents the straight scoop on two different 1952 Cleveland Indians picture packs. Why the team chose to produce two distinctly different photo packs in some years during the 1950s is a mystery to me. And, because the pictures from each version are sometimes the same, or nearly so, this has created collector confusion over the years. And that's aside from the confusion that results when pictures from packs issued in different years are found accumulated together.

The two 1952 photo packs are slightly different in format, and Chuck has labeled them, in true hobby tradition, as Fine Pen and Wide Pen, because the principal difference between the two sets of photos is the thickness of the facsimile autographs.

The first set, which Chuck calls the Fine Pen set was issued in a red-and-white envelope labeled Cleveland Indians 1952 Autographed Photos. These pictures are 6-1/2" x 9," blank-backed. The checklist provided by Chuck is:

(1) Bob Avila
(2) Ray Boone
(3) Lou Brissie
(4) Bob Chakales
(5) Merrill (2 L's in first name) Combs
(6) Larry Doby
(7) Luke Easter
(8) Bob Feller
(9) Jim Fridley
(10) Mike Garcia
(11) Steve Gromek
(12) Mickey Harris
(13) Jim Hegan
(14) Bob Kennedy
(15) Bob Lemon
(16) Al Lopez
(17) Dale Mitchell
(18) Pete Reiser
(19) Al "Flip" Rosen
(20) Dick Rozek
(21) Harry Simpson
(22) George Strinweiss
(23) Birdie Tebbetts (2 t's in last name)
(24) Early Wynn
(25) George Zuvernick

The second set, the Wide Pen issue, came in a red, white and blue envelope titled Cleveland Indians 1952 Photos. These pictures are somewhat smaller than the Fine Pens; they measure 6" x 8 3/4".

The checklist for the Wide Pens is:
(1) Bob Avila
(2) Johnny Berardino
(3) Ray Boone
(4) Lou Brissie
(5) Merril (1 L in 1st name) Combs
(6) Larry Doby
(7) Luke Easter
(8) Bob Feller
(9) Jim Fridley
(10) Mike Garcia
(11) Steve Gromek
(12) Mickey Harris
(13) Jim Hegan
(14) Sam Jones
(15) Bob Lemon
(16) Barney McCoskey
(17) Dale Mitchell
(18) Pete Reiser
(19) Al Rosen
(20) Dick Rozek
(21) Harry Simpson
(22) Birdie Tebbets (1 t in last name)
(23) Joe Tipton
(24) Early Wynn

Chuck found three players with the same picture but different facsimile autographs: Combs, Reiser and Rosen. All the others have different poses for each player in each pack. Also, as you can see, each pack has some different players.

The appearance of Joe Tipton in the Wide Pen set indicates it was produced later in the season, as he was not on the roster until June 23, when he was claimed off waivers from the Philadelphia A's.

Regardless of relative scarcity of the two sets, there is probably little practical difference in the market value of the two versions. Each should be about $150 in Near Mint condition, half that for Excellent and $45 or so in VG.




Sunday, October 17, 2010

Bill Veeck playing with baseball cards







In recent months there have been thousands of vintage newspaper photos and negatives offered on eBay from a variety of sources. One of those that recently caught my attention was this 1959 photo of Chicago White Sox owner Bill Veeck displaying a handful of contemporary Topps baseball cards.

The image was offered as an original 4" x 5" black-and-white negative, and I was able to buy it very reasonably.

The photo was taken June 4, 1959, when Veeck was the guest speaker at the Headline Club dinner in Chicago's Sheraton Hotel. The caption indicated Veeck had pulled out from a group of "baseball playing cards" the card of Early Wynn, who was to pitch the next day's game.

Chicago's headline club provides support and networking for area journalists, reporters, editors, photographers, news executives, educators and students.

Wynn did, indeed, start the June 5 game against the Red Sox. He pitched seven innings, giving up six hits (including a home run to Frank Malzone), two runs, six walks and striking out five. After facing three Boston batters in the eighth with the score tied 2-2, Wynn was relieved by Gerry Staley, who got the win when Chicago scored three in the bottom of the eighth.

Besides Wynn's card, among the two dozen or 30 cards that Veeck is holding, all appear to be in the card number range of 205-278. Other players that are identifiable are Don Larsen, Chuck Essegian, Orlando Pena, Ron Kline, Carl Furillo and Ellis Burton.

That's about all there is to say about this great vintage baseball card photo; I just wanted to share it with you.

Friday, October 15, 2010

Who was Jimmy Wyatt, and why . . . ?

A reader recently brought to my attention an interesting baseball card because he had been unable to find it listed in the Standard Catalog of Baseball Cards, or anywhere else.

The card purports to be a 1956 Remar Bread regional of Oakland Oaks catcher Jimmy Wyatt, and is autographed "Jim Wyatt" at top on front.

Nothing unusual at first glance, except that conventional hobby wisdom is that Remar stopped issuing baseball cards in 1950. The Bay Area bakery had previously issued team sets of Pacific Coast League Oakland Oaks in 1946, 1947, 1949 and 1950, and team-photo cards in 1945 and 1948.

Collector Jeff Legendre had initially sent scans of his mystery card and later agreed to send me the card itself for examination.

I'm stumped.

While visually similar to the Remar Oaks player cards, there are significant differences with his Wyatt card. The 1946-1950 Remar cards measure 2" x 3", printed on thin cardboard in black-and-white on front and in red (1946) or blue (1947, 1949, 1950) on back.

Jeff's card is 2-5/16" x 3-5/16" and is black-and-white both front and back.

The back of the Wyatt card follows closely the format of the 1950 Remar set. There are player stats at top, and ads at the bottom for Sunbeam Bread and for radio and television stations that broadcast Oaks games.

On the back of the card in question, the lower portion appears to have been photographically copied from a genuine 1950 Remar, with subsequent loss of some fine details, while the stats at top vary subtly in typography and punctuation from a 1950 card, such as using a "0" instead of a long dash. That's not to say that if Remar had decided in 1956 to resurrect its baseball card program that such minor differences would not have resulted.

But it is unlikely that Remar would have issued Oaks cards in 1956, because Oakland did not field a team in the Pacific Coast League -- or anywhere else in Organized Baseball -- in 1956. In fact, professional baseball did not return to Oakland until 1968, the American League A's came to town.

And Jimmy Wyatt?

More than cursory searching on the internet failed to turn up anybody by that name who was associated with the 1955 Oaks. Neither was there a Jimmy/Jim/James Wyatt of that age playing anywhere else in the minors that season.

Yet, there on the front of the card is a photo -- visually consistent with those found on other years of Remar cards -- of a player identified as Jimmy Wyatt. It appears as if the printing plate for the cardwas not created from a pristine copy of this photo, however, as what looks like a major crease in the upper-left corner, and some black spots and streaks to the right of the player's head were likely present on the original photo.

While all of this could have been determined from the scans that Jeff sent, I wanted to examine the card in-hand to look at the paper and printing. Doing so compounds the mystery. The thin cardboard stock on which the card was printed displays exactly the type of aging that one would expect in a 55-year-old baseball card. The overall white borders and background have mellowed to a cream tone, with slightly darker edges. Those edges, and the corners exhibit the kind of light handling that would also be consistent with a mid-1950s card.

Examination of the printing under magnification shows that the Wyatt card was printed by offset technology current half a century ago. It is clearly not something that was computer-generated in the recent past.

So, what do we have here? Darned if I know. My best guess is that the person identified on the card as Jimmy Wyatt had some sort of connection to the Oaks at one time, though clearly not as a player. (In fact, the stats on back, purporting to be from the 1955 PCL season, don't add up. If a player has 46 hits in 124 at-bats, his batting average is .371, not .238 as shown on the card.)

I'd guess this card was a fantasy or custom card created by Wyatt or a friend or family member as a tribute to whatever his connection had been with the team. If so, the creator has my admiration. As a custom card maker myself, I can appreciate how difficult it would have been to create such a card in pre-computer days. This card was likely printed more than 25 years ago, and I could be persuaded that it was indeed a late-1950s product.

If you can shed any light on this mystery card, or this particular Jimmy Wyatt, please post a comment or drop me an email at scbcguy@yahoo.com.

Wednesday, October 13, 2010

1961 Topps Jim Golden: Error or variation?


As mentioned last time, we're going to take a look at a little-known error/variation card from the 1961 Topps baseball set.

The usually encountered version of Dodger pitcher Jim Golden's card in that set has on back the card number 298.

One of the hobby's veteran vintage card collectors, John Rumierz, is credited with discovering a rare error/variation of that card on which the card number appears to be 293. John says he discovered three examples of this error more than 30 years ago. He has retained two, and one was traded to Larry Fritsch in some long-forgotten transaction.

I remember Larry showing me this error/variation more than 25 years ago. As far as I know, he never found another example among the dozens or hundreds of 1961 Jim Golden cards that passed through is inventory.

While I can't recall definitely, I seem to remember that at some point in the distant past, we ran an article on this anamoly in SCD, seeking reader input as to the existence of further specimens. None were forthcoming. It's possible, though not likely, that Rumierz' three cards are the only ones that have ever been identified.

His reason for reopening an inquiry about this card was his desire to have it authenticated by PSA. That grading company is loathe to authenticate/grade any card that is not listed in one of the major baseball card catalogs, and to date, the Golden has remained uncataloged.

I don't know if that will change, because the #293 Golden is a printing mistake, rather than a true variation. At some point in the printing process, perhaps right at the stage at which the back printing plate was being made, a stray foreign object appears to have obscured part of the "8" digit in the card number, giving it the appearance of a "3".

It takes a sharp eye and probably a lot of experience poring over 1961 Topps card numbers to discern the difference in the "3" on the back of the Golden error and the typical digit found on Topps cards that year. For illustrative purposes, I've digitally enhanced the numerals from a normal card and from the error Golden.

On the typical 3, the ends of the top and bottom arms at left are truncated flatly horizontal. On the broken 8 from the Golden card, the ends of those arms are angled, and the bottom arm appears to have an "ear" at the left tip. Note also that the center bar of the regular 3 extends to the left almost as far as the right end of the top and bottom arms. On the error Golden cards, the center bar is just a nub.

Frankly, I'm not inclined to list this error/variation in the Standard Catalog of Baseball Cards. In recent years, due to the information explosion made possible by the internet, the ease of scanning images, and the creation of large and active on-line sales and trading sites, the number of reports of vintage cards exhibiting visual variations has grown exponentially.

The vast, vast majority of those cards are the result of unintended mishaps in the printing process, rather than variations that were created by intentional changes made in the design, paste-up or printing stages.

While there are avid collectors of every cards that has a gap in a black photo frame, stray blobs of ink or areas of missing color, to attempt to legitimize all of them by cataloging them seems impossible. Many of these printing flaws show up in various stages on different cards and could require multiple listings on a checklist to describe each. Again, with the revolution in computer-assisted publishing bringing costs down, a catalog of even the most minute error cards is not out of the realm of technical possibility, although given the limited number of collectors that care about such things, such a catalog would never be commercially feasible as an ink-on-paper product.

It can certainly be argued that some of the most valuable post-war baseball cards are printing errors not unlike the #293 Golden. These include the 1957 Gene Bakep, the 1958 Pancho Herrer and the 1990 no-name Frank Thomas. These cards are from several hundred to many thousands of dollars. It is largely because these cards have attained such demand and value in the hobby market that they are included in the SCBC. If any of these had not been discovered until recently, it's doubtful they would have been cataloged. In fact, recent research by dedicated error collectors has shown that the same printing mishap that created the no-name Thomas card also affected a dozen or so other cards on that press sheet, though much less visually arresting and none on an iconic rookie card of a future Hall of Famer.

I'd be interested to see your comments about the #293 Jim Golden, and whether your own collection harbors an example. If a sufficient market for the card was to develop, the issue of its inclusion in the Standard Catalog would be revisited. But that's kind of a Catch-22. The major grading companies will not sanctify the card unless it is listed, and many collectors will not pursue it unless the grading companies will slab it.

Monday, October 11, 2010

Clearing up 1960 Topps proof confusion

I no longer have a shelf full of back editions of the Standard Catalog of Baseball Cards, so I don't know how long the book has carried the listings for the 1960 Topps proofs, nor how long that listing has incorrectly referenced one of the cards.

Recent editions of the catalog show three 1960 Topps proofs, one of which is listed as "(Existence not confirmed.)". The proofs differ from the regularly issued versions of the same players' cards principally in the team logos that appear in the lower-left corners on front.

The proof card that the Standard Catalog has promulgated misinformation lo these many years is that of Faye Throneberry. The books lists under 1960 Topps Proofs card #436 Marv Throneberry, and lists its existence as unconfirmed.

Thanks to a report by veteran vintage card specialist John Rumierz we now have the real story. John obtained examples of each of the three proofs many years ago from former Topps employee Bill Haber. Actually, John calls these cards "team variations," and he has a legitimate point. Most of what the hobby identifies as proof cards are unfinished in some way, usually blank-backed. The three First Series 1960 Topps rarities are fully printed both front and back.

Let's examine each.

Card number #9, Faye Throneberry, in the commonly encountered issued version, pictures him in a Senators uniform, lists his team on front and back as the Washington Senators and has a Senators logo on front. The proof/variation version differs only in that the team logo at bottom-left is that of the N.Y. Yankees.

Unlike the players on the other two proofs/variations, Faye Throneberry was not involved in a pre-1960 season trade that necessitated reworking his Topps card. Throneberry, in fact, never played for the Yankees. He was with the Senators from mid-1957 through the 1960 season.

It is likely the appearance of a Yankees logo on the front of the proof/variation card is the result of somebody at Topps mixing Faye up with his brother, Marv. I can't fault them for that, since we did the same thing in the SCBC. Marv Throneberry was involved in the multi-played deal on Dec. 11, 1959, that sent Roger Maris, Kent Hadley and Joe DeMaestri from the K.C. A's to the N.Y. Yankess for Marv Throneberry, Don Larsen, Hank Bauer and Norm Siebern. I'm still unsure exactly how that factored into Topps putting a Yankees logo on the first version of Faye Throneberry's card, but that's what happened.

Another of the players involved in that trade also has 1960 team variation cards. Kent Hadley's card, #102, was initially printed with his photos in A's uniform, his team listed as New York Yankees and an A's logo. The only change made on the "regular" version of the card was the substitution of a Yankees logo on front. Hadley's proof/variation is the only one of the trio that has been publically sold in recent memory. In Nov., 1999, a NM example sold for $13,500.
The third card in this group was the most extensively changed. As initially printed, card #58 had Gino Cimoli pictured as a St. Louis Cardinal, listed his team that way on both front and back, and had a Cardinals logo on front.
Cimoli was traded to the Pittsburgh Pirates on Dec. 21, 1959, prompting Topps to halt the presses and rework Cimoli's card. While Cimoli is still pictured with the Cardinals on the regularly issued card, his team designation has been changed on front and back to "Pittsburgh Pirates," the logo on front was changed to the Pirates, and the trade was noted among the bullet points on the back.
You know, after working through all this, I'm not sure that the catalog listing for these three cards as "Proofs" shouldn't be deleted and the three cards added to the main checklist as variations. What do you think?
The number of extant specimens of the proof cards is unknown. My best guess would be that there are fewer than five of each, it could be as few as two or three.
In his recent correspondence, John raised the subject of another rare 1960s "variation" that is worthy of presentation. We'll look at that next time out.

Saturday, October 9, 2010

Crossing Bleier off my "wish list"


In my Sept. 1 posting about how I got into creating custom 1955 Topps All-American style football cards, I published a "wish list" of former college players that I would like to include in my on-going update set.

Quick to respon was Indiana collector Harold Dieter, who sent me a card of Rocky Bleier in his Notre Dame uniform. The card originated in one of the early 1990s Collegiate Collection team sets of former Fighting Irisher players.

The portrait on the card was just what I needed to create my Rocky Bleier tribute card, and just a couple of weeks later, it was finished and I was sending a couple of the cards off to Harold. Now I'm sharing it with you.

Why Rocky Bleier? Primarily because he is virtually a local boy. Bleier was born and raised in Appleton, Wis., about 45 minutes east of my locale here in Iola. He is probably the most famous and accomplished football player native to Wisconsin; certainly in this part of the state.

Bleier attended St. Francis Xavier High School in Appleton. On the varisty football team from 1961-1963, his teams were 9-0 each season. He was All-State running back three times and All-Conference as a linebacker one season and defensive back another. In three seasons he amassed 2,985 rushing yards, 55 touchdowns and a 9.4 yard average. His uniform #23 is the only one retired by the Hawks, which named their football field for him.

While many schools felt that Bleier was too small (5'10", 175 lbs.) for big-time college football, Notre Dame's new coach Ara Parseghian was willing to give him a chance. and Bleier became a major contributor at starting halfback to the Irish's National Championship team in 1966. He was named captain of the 1967 team.

The Pittsburgh Steelers chose Bleier in the 1968 NFL draft, but not until the 16th round. He was the 417th player selected. Bleier had a decent rookie season with the Steelers, playing in 10 games. Then he was drafted again -- into the U.S. Army at the height of the Vietname War.

On Aug. 20, 1969, Bleier's unit was ambushed and he was shot in the left thigh. As he lay wounded, a grenade landed nearby and tore up his right foot. He earned the Bronze Star and Purple Heart for his combat service.

While rehabilitating form his injuries, Steelers' owner Art Rooney sent Bleier encouraging messages and told him they would support his return to the NFL, even as his doctors told him that was an unlikely outcome.

Bleier spent the 1970 season on Pittsburgh's injured reserve list, and most of 1971 on the taxi squad, though he was activated for six games without seeing any action.

In 1972, with his old college quarterback Terry Hanratty leading the Steelers offense, Bleier began to work himself into an integral part of the dynasty that won Super Bowl titles in 1974-1975 and 1978-1979. His best season was 1976 when he rushed for 1,036 yards and his combined 1,330 yards rushing and receiving were tops on the team.

Bleier retired after the 1980 season. In December of that year, his book Fighting Back was adapted for an ABC-TV Movie of the Week starring Robert Urich. (I saw a note while googling around that Urich played college football at Florida State . . . I'll have to look into that.)

So in a nutshell, local boy makes good and triumphs over adversity. That's why I had Rocky Bleier on my wish list for a custom card. 
I received a couple of other offers to help on my wish list that seem like they will pan out. Watch this space for update.




Friday, September 24, 2010

1951 Fischers Bread label data sought


As mentioned in a previous posting, veteran collector Larry Serota is a frequent contributor both to this column and to the Standard Catalog of Baseball Cards.


For years he has unselfishly shared his research and "finds" with the rest of the hobby, so when he recently asked for our help on one of his collecting projects, it was a pleasure to accomodate him.


Larry is deep into what the hiobby used to call "oddball" issues . . . collectibles that are outside the norm of bubblegum cards.


One of his on-going quests is the completion of a master set of 1951 Fischer's Bread labels. Back in the early days of sliced bread, before plastic bags and twist ties, loaves were sold in colorful waxed paper wrappers that were sealed on the ends by a square of gummed paper. These end labels were often decorated with images of baseball and football players, Hollywood celebrities, Disney characters, etc., giving them a collectible aspect that it was hoped would entice children to ask their mom to buy one brand over another.


Because these labels were theoretically capable of surviving numerous openings and closing over the life of a loaf, they are ususally found today (if they are found at all) in wretched condition. Heavy multiple creases, tears, even missing pieces are the rule, rather than exception. And even at that, the early 1950s baseball bread end labels readily sell for $100+ for even "common" players.


One of these regional issues is known within the hobby as Fischer's Bread labels, though that name does not appear anywhere on the 2-3/4" square (except for the bobbed corners) labels. The labels have a red panel at bottom with "Bread for Energy" and they carry a B.E.B. copyright.


Thirty-two players are known in the Fischer's Bread label set, but there are 48 pieces in a master set. The labels are found with backgrounds of either red, blue or yellow, but 16 of the players can be found with two different colored backgrounds.


Larry's research shows there are eight players found only on yellow backgrounds, and four each that are exclusively red or blue. Eight other players can be found on both red and blue backgrounds, and four each are known in both red and yellow or blue and yellow types.


He has identified five players each in the red and blue subsets that are candidates to also exist in yellow. He believes only one player from each list will be found in yellow. From among the red-background labels, he's looking to ascertain which of these players also exists in yellow: Harry Brecheen, Billy Goodman, Cass Michaels, Andy Pafklo or Roy Smalley. The roster of blue-background labels that should yield one yellow version is: Ned Garver, Willie Jones, Eddie Joost, Roy Sievers and Earlky Wynn.


If you can help complete this master checklist by sending a scan of one of those elusive yellow-background labels, please contact me at scbcguy@yahoo.com.


Wednesday, September 22, 2010

1951 Cubs regional reported


Regular contributor Larry Serota has tipped us off to a previously uncataloged regional issue of 1951 Chicago Cubs promotional player pictures.

I'm frequently amazed at the breadth and depth of Larry's vintage "card" interests. He obviously spends untold hours scouring eBay for the type of collectibles that veteran collectors used to label as "oddball."

Even more important, he is willing to share what he finds with the rest of the hobby by presenting the information to the Standard Catalog of Baseball Cards.

Larry's latest report is of a trio of Cubs player pictures issued by a Chicago area clothing emporium. This type of premium was often issued in conjunction with player autograph appearances at retail outlets in a by-gone era when a ballplayer was willing to spend a couple of hours meeting and greeting the fans in exchange for a new suit.

The premium pictures are 5-1/2" x 8," printed in black-and-white on semi-glossy thin cardboard stock. Backs have year-by-year stats. Each photo has a facsimile autograph. Printed in the wide bottom border is "COMPLIMENTS OF HIRSCH CLOTHING STORES".

The players known to date are: Hank Sauer, Johnny Schmitz and Bob Schultz. Whether this trio represents the entirety of the issue, or there are players yet to be reported, is not known.

Check back in a couple of days for your chance to help Larry with one of his collecting endeavors with another scarce 1951 baseball issue.



Monday, September 20, 2010

1981 FBI Discs set discovered


While my official responsibilites with the Standard Catalog of Baseball cards only cover the vintage (pre-1981) major league and minor league sections, I'm always willing (time permitting) to work with collectors to enhance the more modern listings.
Thus I hope to see added to the 2012 edition a newly reported regional disc set: 1981 FBI Discs.
Among the many types of 2-7/8" discs issued in the 1970s and 1980s, the currently listed 1982 FBI Discs are probably the rarest. These were issued in pairs on the bottoms of cardboard six-pack contains of Bantam (and possibly other brands) soft drinks in Canada. Because of their appearance on the bottom of a box, most discs suffer from scuffing on the front, or show indentations from the soda.
The 1982 discs are so rare that we recently were informed that the catalog's checklist of 30 players is incomplete by at least two. A panel of the 1982 discs has recently been offered at an outrageous price on eBay. That panel adds Ron Guidry and Richie Zisk to the known 1982 checklist.
Now we learn that there was also a 1981 FBI issue. The Reggie Jackson from that set is pictured here. Like the 1982 discs, the earlier issue has black-and-white player portraits at center that have had the cap logos airbrushed away. A green-and-orange FBI logo is at top, with the player’s name at bottom.
Unlike the 1982 FBI issue, there is no copyright date on the 1981 discs. The MLB Players Association logo flanks the portrait at left, with the players position (in English and French) at right, along with his team’s city. The team nickname apparently appears only on those discs that have more than one team in a city. The unnumbered discs are checklisted here in alphabetical order. This list is certainly incomplete and the set probably comprises at least 30 discs.
NM/M

Rick Bosetti 25.00
Warren Cromartie 25.00
Steve Garvey 35.00
Reggie Jackson 75.00
Nolan Ryan 400.00
If you can add any names to the list, please send a scan for verification to my e-mail address at scbcguy@yahoo.com.


Thursday, September 16, 2010

1964 Mantle "no period." Variation or not?


A reader -- whose name and contact information I am embarrassed to admit I lost in my jumble of email accounts -- has inquired about a possible variation on the regular-issue (#50) 1964 Topps Mickey Mantle card.

On his card, authenticated by PSA (though not as a variation), there is no period after the "Y" in the team name at the upper-right on back. Typically, of course, a period appears there.

To try to get a feel for this anomaly, I contacted a major dealer in vintage cards, who has since asked that remove his name and findings, which were pretty much in line with my personal opinion of the status of the card in question. I believe the period disappeared as a result of over-inking of the red-orange background and/or deterioration of the printing plate. It is likely that many cards exist with not only this period, but also other punctuation is differing stages of being all there or not there at all. This result is typical of reverse (white on color) printing in that era.

For the present, I'm not going to add this to the checklist for 1964 Topps in the Standard Catalog of Baseball Cards, but I'm certainly willing to listen to pro-inclusion arguments, and will revisit the subject if it ever appears like the "no period" card is finding acceptance in the marketplace.

Friday, September 10, 2010

$500 for a pocket calculator?


Like many of you, the Great Recession hit me pretty hard. I had fully intended to be retired about this time (or at least as retired as I'll ever get), but when one-third of my retirement funds vanished into thin air, I had to replot my course.

I suspect I'm also like a lot of you in wondering whether we have seen the last or the worst of the recent financial problems. Now I understand why my parents, who lived through the Great Depression, remained frugal and fiscally wary to the end of their days; and they had the advantage of a defined pension plan, probably never (directly) owning a share of stock or a stake in a mutual fund.

Historians still debate how long the Depression would have lingered if a wartime economy had not intervened, but I'll bet that in the late 1930s and through the 1940s, most Americans would have rather slogged through another decade of Depression than the uncertainties of a world war.

In the midst of my personal pity party, it occurred to me that technology might be what pulls the world out of this latest downturn.

That thought struck when I was at the local dollar store and picked up a pocket calculator for $1. No batteries required. You'd have to be my age to realize what a bargain that seems.

As it happened, I was going through a copy of the September, 1973, Playboy a couple of days later and discovered empirical evidence of just how much of a bargain today's dollar calculators are.

As I've mentioned in this space in the past, I have a nostalgic interest in Playboy magazines of the 1950s-early 1970s, especially those issues that have the annual Pigskin Preview article on college football. Among the ads for Japanese import autos and checkered, bell-bottomed, Sansabelt slacks, and the nekkid pictures of Victoria Principal, there was an article reviewing the latest in then hi-tech calculators.
I was struck by the price of those models that seem upon casual perusal to be comparable to the calculator I had just bought for a buck. They were priced at about $100. A quick google search of the historical value of the dollar tells me that 100 of 1973's dollars is the equivalent of about $508 today, given the average annual 4.49% inflation rate.
That suggests to me that if left unfettered by big government, mankind's natural inventiveness and entrepreneurial spirit may yet get us out of the current economic troubles through the application of technological breakthroughs in virtually every field of endeavor.


Friday, September 3, 2010

1967-style Red Sox Rockers custom card


My list of pending custom card projects is likely to outlive me. I've got dozens of baseball and football player photos squirrel away in files both physical and electronic. My custom card output has slowed some in the past year or two, probably averaging something less than one new card a month. And that doesn't include my "rehabilitation" projects, remaking some of my earlier cards from a time when my skills weren't as far along as they are now, or in cases where clearly superior player photos have become available.

But while my to-do list is seemingly perpetual, I can never seem to strictly adhere to it. Something frequently comes along that strikes a chord and I drop everything else to take it on.

That was the case a month six weeks back when I found on eBay a very sharp photo of the Red Sox outfield of 1967 -- Carl Yastrzemski, Reggie Smith and Tony Conigliaro. The image of that photo on a late-Sixties style multi-player feature card (a term I invented for a Baseball Cards magazine article in the early '80s) leapt to mind and I was hooked.

I was the successdul bidder on the photo and while I waited for it to arrive, I did my homework. I quickly determined that the format for the card should be 1967. That's the year Tony C. was beaned and he didn't play at all in 1968. The trio was back in the Fenway outfield for 1969, but I decided to go with the '67 style.

Putting the back together was a challenge because of the space limitations and the necessity of covering three players. As always, I printed out stats from the SABR data base, then tried to copy the spirit of Topps writers of that era, who were writing for 10-year old boys, not adult card collectors.

My original version of the card front had the "RED SOX ROCKERS" in red type, matching that on the Boston uniforms in the photos. When he viewed the prototype on my computer, SCD editor T.S. O'Connell, himself a baseball artist, pointed out the card title seemed hard to read, with the black-outlined red letters largely coming out from the navy blue sleeves.

My next choice was to go with a light blue, picked out of the sky in the photo, and that seems to have been a great improvement. Maybe the red letters caused the eye to strain too much towards the title in an effort to read it, but to me, the blue letters at bottom, along with the blue sky above, seem to better frame the players and allow the eye to be drawn to that central element. I hope you agree.


Wednesday, September 1, 2010

How I got into All-American customs

This is a column that I wrote for a recent issue of Sports Collectors Digest. That issue had a feature on the original Topps 1955 All-American football cards.

When editor T.S. O’Connell invited me to create a column for this issue of SCD in which the 1955 Topps All-American college football card set was going to be featured, I knew I had to participate.
It has probably been two years or more since my own “updates” to that set outpaced Topps’ original production.
As of now I have created 122 cards in that format. My homage to the ’55 AA set includes 121 different players (I created two different Troy Aikman cards, Oklahoma and UCLA) representing 73 different colleges.
Many of my custom card creations have been featured in these pages in the past seven years since I began making my own “cards that never were.”
Once I realized that modern technology had created the tools to allow me to fulfill my childhood ambition of making my own cards, it was virtually a no-brainer to begin with the 1955 All-American style.
That was one of my favorite bubblegum card sets as a kid, and provides one of my earliest childhood memories. I have a firm recollection of sitting on the floor of my kindergarten classroom opening a red-white-and-blue wax pack of All-Americans during afternoon recess while the rest of the kids were outside playing. I was inside while they were outside because health issues often limited my mobility, even as a four-year old.
I don’t remember who I got in that pack, but I do remember that the Army players were my favorites, probably due to a combination of the martial sword-and-rifle logo and the players’ gold helmets. (I have created three Army cards in my own series: Glenn Davis, who Topps did not include in 1955, probably because he was under contract to Bowman, a Glenn Davis-Doc Blanchard combination card titled “Mr. Outside & Mr. Inside,” and a card of quarterback Arnold Tucker, who directed the offense of those USMA powerhouse teams of the 1940s.)
When my card collecting interests were revived in the mid-1970s, the first football card set I wanted to reclaim was the All-Americans. By then, through the courtesy of Larry Fritsch’s checklist books, I knew that there were 100 cards in the set, including a Four Horsemen of Notre Dame card that I know I had never encountered in my childhood.
By about 1982 I had completed a set of the originals in what I recall as high-grade in those pre-slab days. I wrote a heavily illustrated article about the set for one of the early issues of Baseball Cards magazine, then sold the set.
Around 2003 when I began my card creation efforts, I began piecing together another set of the 1955s. I needed the originals so that I could copy school logos and the cartoons on the backs. This time I endeavored to put the set together in at least Ex-Mt condition, as certified by PSA, SGC and SCD, though I removed each card from its plastic tomb and inserted it into a binder after scanning.
During this process I discovered that while some of the cards in the set were merely expensive (Thorpe, Horsemen, Grange, Rockne, etc.), others were truly hard to find in Ex-Mt or better condition, usually due to centering issues. Such cards were among the last to find their way into my current set. Besides cards #1 Herman Hickman and #100 Fats Henry, they included #3 Ed Weir, #24 Ken Strong, #28 Mel Hein, and, the last card I added to my second set, #99 Don Whitmire.
I believe the only cards in my current set that aren’t Ex-Mt are the Whizzer White and Gaynell Tinsley error version, which I have in VG-Ex or EX.

Since beginning my custom cards hobby with the 1955 AA style I have expanded my repertoire of baseball and football cards to about two dozen formats, but I don’t think I’ll ever be “done” with my ’55s. While I have done nearly 125 cards in that design, I still haven’t completed what I have named by Second Series (I consider the Topps originals to be the First Series). I’ve left card #152 unmade. On the checklist cards I have created in a Fifties Topps format, that card is listed as Randy Moss.
Long ago I acquired some nice images of Moss from his days at Marshall, but have delayed putting together his college card. I originally did so because I wasn’t sure he was going to be remembered for anything beyond his faux mooning of Packer fans in the end zone after a touchdown a few years back. Now, his legacy as one of the greats is assured, and I’m just waiting for his NFL career to end so that I can craft an appropriate biography for the back of his card.
I’m already 22 cards into a Third Series of All-Americans, and I don’t see a Fourth in the offing. My pace of All-American creations has slowed considerably from more than one per month when I first started to six or eight per year now.
My to-do list of All-Americans consists of cards for which I have appropriate photos and just the lack the impetus to see them through. Besides three of four of my existing cards that’s I’d like to someday “rehabilitate” by using more recently acquired superior photos, the Top 10 on my list of cards to add include former NFL greats Earl Campbell, Jack Ham, Franco Harris, Joe Perry, Ollie Matson and Ray Guy. Also on the drawing board are 1950s baseball stars Ted Kluszewski, Moose Skowron and Jackie Jensen, and actor Tommy Lee Jones.
I also maintain a wish list of players whose cards I’d like to do, but whose photos in college uniform have thus far eluded me.
The “most wanted” on that list is Donald Driver. My efforts to acquire a reproducible photo of the great Packers receiver and fan favorite in an Alcorn State uniform have been unavailing.
Two former NFL stars of whom I’d like good college pictures are Jim Taylor from LSU, and Rocky Bleier at Notre Dame.
Surprisingly elusive has been a photo of future baseball Hall of Famer Frank Thomas in an Auburn football uniform.
Actors Dean Cain, Carl Weathers, Woody Strode and Johnny Mack Brown all played college ball, but I haven’t yet been able to find football photos for them.
One player you’ve never heard of is a personal project of mine. I went to grade school and high school with Jim Bond in Fond du Lac, Wis. After high school he received a scholarship to Michigan State. When that signing was announced, the local paper ran a photo of Jim and some MSU dignitaries in which Bond is holding up a Spartans jersey with the number “007”. This was in 1969, at the height of the first popularity for Sean Connery James Bond movies. Bond injured his knee early on and didn’t have much of a college career, but it would be fun to do a card of someone from my old neighborhood.
As you can see from my wish list and checklists, my All-American series encompasses a wide variety of players from college stars to NFL and MLB stars, TV and movie actors, presidents, personal friends and relatives of friends, and even a few fictional characters. That’s part of the appeal of making you own card set, you get to create the line-up.
If any of the readers are able to provide or direct me to a good photo of any of these players, please contact me at scbcguy@yahoo.com, or write me at P.O. Box 8, Iola, WI 54945. I always offer to share my first printing with those who provide photos I need.
And, unlike many other custom card creators, I do actually print my cards, front and back, and cut them into single cards. I’ve done as few as six cards of a player (that’s how many fronts or backs in the classic Topps size of 3-3/4” x 2-5/8” I can fit onto a sheet of 8-1/2” x 11” label paper on which I print before sandwiching them to a cardboard core) to as many as perhaps two dozen.
There are currently only four complete sets of my custom All-American cards in existence. I maintain two sets, and two collectors have prevailed upon me to provide them with complete sets. Of the single cards, I have given away some and sold some.
Early on I found out it’s much easier to offer cards for sale than to explain to a dedicated Alabama fan why I can’t get him a Bart Starr college card because of the time and handwork involved in printing and cutting the cards.
While the occasional sales help keep me in special paper and printer ink, the real reason I make my All-Americans (and all my other custom cards) is to satisfy a deep creative urge that, as mentioned, has been with me since childhood. I relish the challenge of colorizing or otherwise revamping a photo to make it fit my format. And I greatly enjoy the research that goes into getting the 90 or so words I need to write the backs. I once spent an entire afternoon in the library scouring biographies of JFK to gather the details of his undistinguished football days at Harvard.
Ever since I sold most of my card collection to Alan Rosen in 1993, I haven’t been much of a card collector. I seldom buy a card these days for any purpose other than to provide a template for one of my customs. Making and sharing these cards has become my real hobby.
You can see color galleries of many of my All-American cards and most of my other football and baseball creations in my Photobucket albums at www.tinyurl.com/customcards.

Wednesday, August 18, 2010

Worch Cigar minor league checklist enhanced


As a result of a string of eBay auctions in late July and early August, we were able to add three players to the 1933-1935 Worch Cigar American Association premiums checklist.

The Worch premiums are often confusing to inexperienced collectors because the name of the sponsor appears nowhere on the 3-7/16" x 5-7/16" blank-backed black-and-white premiums. The postcard-sized player cards were evidently available by sending cigar bands to the company's address in Minneapolis. Many of the surviving cards have the original envelope in which they were mailed, thus establishing the issuer's identity.

Worch Cigar cards are divided into two types: major leaguers and minor leaguers. To date, 146 different players are known (many with two or more poses) among the major leaguers, which appear to have been issued in 1933. Typical prices on common major league players are $100 in Near Mint. Most Hall of Famers bring $300-400 in that condition, with the big guns like Gehrig and Ruth up to $2,000.

The minor league players, until recently, numbered 57, all from teams in the American Association circa 1933-1934. While the minor league checklist is heavy on Twin Cities' players from the Minneapolis Millers and St. Paul Saints, there are a smattering of players from the Columbus Redbirds, the Kansas City Blues and one or two other teams.

Recent book value on the minor leaguers has been about 50% of the major leaguers, with only one Hall of Famer, Dave Bancroft, manager of the 1933 Millers, known. Catalog values may have to be adjusted upwards, however, based on the recent sale of 10 cards in the eBay sales. All sold at prices at least 3X the book value.

The best sellers among the minor leaguers were three heretofore uncataloged players: Johnny Gill, Minneapolis (1934-1935), Marty McManus, St. Paul manager in 1935, and Monty Stratton, St. Paul (1935). Stratton, of course, was the subject of The Stratton Story, in which Jimmy Stewart portrayed the pitcher trying to return to professional baseball with a wooden leg after a hunting accident. In about NM condition, those cards brought $287, $227, and $320, respectively.

And so it goes in the endeavor of checklisting vintage minor league baseball cards.






Friday, August 13, 2010

'71T high-number proofs are 1/1


Some strange and wonderful things have emerged from the Topps Vault since much of the contents of the gum company's card archives began to be offered in eBay auctions some years back.

For various reasons, not all of the goodies are "catalogable" (there's that word again). One grouping that does seem worthy of inclusion in the Standard Catalog of Baseball Cards, however, is what appears to be an early Topps trial of high-gloss coating on card fronts.

According to Buffao, N.Y., collector Mike Chauby, who brought these cards to our attention, the experiment was probably not a success because the cards in his possession show signs that the glossy coating was either applied unevenly or dried unevenly. This resulted in streaks, pock marks and other imperfections on the surface. As well, the cards' showed a proclivity to scratches on the glossy surface.

What is especially interesting in the Topps experiment is that they chose to try the glossy coating on high-number 1971 baseball cards. While it is impossible to know when the experiment was conducted, it is not unreasonable to presume it was contemporaneously with the issue of the high-number '71s, when a sheet of the cards would have been at hand. Topps did not release a true high-gloss finish card until its 1984 Tiffany baseball set.

Beginning on June 16, 2008, and continuing throughout July of that year, Topps offered a handful of the glossy '71 high numbers every couple of days in its eBay auctions. Each card was sealed in a thick plastic slab and each card had a Topps hologram attached to a back corner, guaranteeing authenticity. Some purists might decry the placing of a sticker directly onto the card back, rather than on the holder, but in reality, it would not be at all difficult to fake these cards by applying a glossy coat to the front of "regular" '71T high numbers.

Each of the test cards is known in only one example, but it is not known how many of the 108 cards in Topps' Sixth Series of 1971 (#644-752) were involved in the experiment. The gloss coat may have been applied to a full sheet of 132 cards (in which case there would be two examples of some), or it may have been done working with a half-sheet of 66 cards. It is known that some of surviving test cards are among the series' short-prints.

Classifying these glossy '71T high numbers is problematic. They are not really a test issue in the sense that term is usually applied. Test issues were usually released for public sale in limited quantities and markets. They are also not strictly speaking proof cards because they are completely printed, front and back. The hobby has never really embraced the term experimental issue, but that probably comes closest to an accurate description of these 1/1 rarities.

Chauby had maintained records for more than a dozen of the glossy cards when they were originally sold on eBay. Winning bids ranged from $9.99, which would have been the minimum bid, to more than $30 for the Expos team card and Rich Allen, toa high of $66.65 for Jose Martinez. The average of 17 cards for which Chauby recorded prices was $20.04. Unfortunately, if the Hall of Famers and other high-demand cards in the Sixth Series were ever offered, their selling prices are not recorded. These would include Sparky Anderson, Boog Powell, the Dusty Baker-Don Baylor rookie card, and Luis Aparicio. Given their 1-of-1 status, those 2008 prices seem cheap and can likely be attributed to the fact that these cards were previously unknown and uncataloged within the hobby.

Wednesday, August 11, 2010

Investigating Baseball Magazine team posters


A recent inquiry about an uncataloged Baseball Magazine poster on the Net54 vintage baseball card forum has called into question the accuracy of the current checklist of those premium as published in the Standard Catalog of Baseball Cards.

The posters, which were listed in the American Card Catalog system as M114, were premiums that were issued by the baseball monthly magazine as a subscription premium, and were also offered for individual sale between 1910-1957.

The sizes and formats of the posters varied over the years between about 9" x 12-1/4" for single-player posters to 9" x 20" for some of the team pictures. They were printed in sepia tones on semi-gloss paper stock.

The Baseball Magazine posters are one of a handful of issues that are checklisted in the Standard Catalog not on the basis of known surviving examples, but rather on what was advertised by issuer as being available. Other examples include the 1902-1911 Sporting Life cabinets (W600), the 1888-1889 Old Judge cabinets (N173) and the 1911 Obak cabinets (T4).

In the cases of the Baseball Magazine posters and Sporting Life cabinets, the checklists were generated from advertising within the pages of those periodicals. In the cases of the Old Judge and Obak cabinets, the checklist was derived from lists printed as cigarette package inserts or coupons. In all cases, these contemporary offers indicate only what was available, or even intended to be available, to persons redeeming coupons or subscribing.

Especially in the cases of the cabinet cards, it is possible that certain advertised cards were never ordered by customers and thus were never produced or perhaps were scrapped after the promotions had run their course. This explains why in the cases of some of these issues, the biggest names among the stars of the day are more common in collections today than the more obscure players. It makes sense that when offered a list of players from which to chose, more fans elected to receive a King Kelly, Ty Cobb, or Christy Mathewson cabinet than one of a small-market team's utility infielder or a minor league player.

The Baseball Magazine posters list in the Standard Catalog has been published unchanged for most, if not all, 20 editions of the book. Now, it appears, changes are in order.

The team poster that was posted on Net54 was of the Chicago White Sox "World's Champions" of 1917. It is 7-1/2" x 14-1/2" and features the usual indicia found on most M114s concerning the publisher, etc. Such a poster is not listed in the catalog, which has only two team posters listed for 1917, the Red Sox and the Giants. None are listed for 1918. The Giants and White Sox were the World Series participants in 1917, and it seems likely that it would have been 1918 before posters with the World's Champions notice could have been available as a magazine premium.

That poster appears in an advertisement from Baseball Magazine that offers many team and player posters dating from 1914-1917. The ad is undated, though a small "10 - 19" in the lower-left corner may indicate an October, 1919, issue date.

The upshot is, based on the content of the ad, it looks like the checklist should be revised to include a 1917 White Sox poster and a 1914 St. Louis Cardinals poster. The listing of a Red Sox poster for 1917 may have been in error. If, after suitable inquiry, it cannot be proven to exist, either in a surviving example or included in an ad, the Rex Sox poster will likely be dropped from the checklist.


Monday, August 9, 2010

Even more on Indians' picture packs



This forum has been blessed with quite a bit of new information on Cleveland Indians picture packs in recent months. Most will eventually find its way into the Standard Catalog of Baseball Cards. The trend continues with the first checklisting of a 1959 photo pack.

This (probably partial) picture pack was offered on eBay on Aug. 5, when the beat-up envelope and 19 player pictures -- each described as exhibiting some light discoloration -- sold for $36.51. The envelope is a bit misleading in that it shows Chief Wahoo presenting drawings of portrait photos when, in reality, the individual pictures all seem to be posed action shots.

I'd like to have included a photo of one of the pictures in this presentation, but the seller did not respond to my request for a scan. (What's up with that? Doesn't he know who I am?) UPDATE: Thanks to reader Bob Wong, we now have a photo of one of the picture from the 1959 issue. Jim Bolger only played eight games for the Tribe, having come to Cleveland from the Cubs in a pre-season trade and being traded to the Phillies on June 6, 1959.

The pictures are in the usual Indians' photo pack format of white-bordered, blank-backed photos with a facsimile autograph for identification. If the seller was accurate in his description, these 1959 pictures were a bit longer, at 9-1/4", than normal for the genre, but in the same 6-1/2" width.

The checklist here shows only 19 players and manager Joe Gordon, so it is likely incomplete. Indians' pix packs of the era typically contained 24-30 or more pictures.


Gary Bell

Jim Bolger

Dick Brown
Al Cicotte


Rocky Colavito


Don Ferrarese


Tito Francona
Joe Gordon


Jim “Mudcat “ Grant
Woody Held


Billy Martin


Cal McLish
Minnie Minoso


Russ Nixon


Jim Perry
Jimmy Piersall
Vic Power


Herb Score


George Strickland


Ray Webster



Sunday, August 8, 2010

George Brett gets a 1974 Rookie Card


One of the advantages I have as a custom card maker in the 21st Century is the ability to "scoop" the old-time card companies with the advantage of 20-20 hindsight.
You certainly can't blame Topps for not including George Brett in its 1974 card set. In 13 games during his August-September call-up the previous season he had hit only .125 with no power.
But 35 years later, when an early image of Brett turned up on the internet (notice the uniform #25), I thought it would be fun to see how a '74 Brett would have looked.
Topps didn't use the All-Rookie Team trophy on any of its 1974 cards, but I thought it would make a nice additition to my custom and it nicely filled the space at the lower-left of the photo.
It had originally been my intention to do a 1973-style Brett card on the premise that he was going to make the majors with the Royals that season. But given his minor league stats, that would have seemed like quite a stretch.
In truth, I've never liked the 1974 Topps format and didn't like the 1973s much better, but as I worked on the '74, it kind of grew on me. Anyway, I've got a nearly complete 1973-style front and back template made, so if I ever want to make a card in that style, I'm halfway home.

Saturday, August 7, 2010

Player's son reports Globe '52 Dallas addition



Cataloging the early 1950s minor league baseball card issues by the Globe Printing Co. is a painstaking endeavor.

While we probably (I wouldn't bet the ranch ot it, though) have a record of every team that actually issued the cards, we don't have complete checklists for many of those teams.

In our Nov. 22, 2009 presentation, we ran a lengthy list of players' cards from the 1952 Dallas Eagles issue. The Eagles were a Class AA Texas League farm club of the Cleveland Indians in 1952. That checklist contained 21 cards, and we speculated that since it appears that Globe printed on six-card sheets, there were probably a few players missing from our list.

We've now got confirmation of one of those "missing" cards; it's pitcher Walt Lanfranconi.

That information comes courtesy of Greg Varhely, whose father, Edward, was also a pitcher on the '52 Dallas team. Greg had found our column while surfing the 'net for information about his dad's career. Among his father's effects were a pair of the Eagles' photo albums and a stack of the Globe player cards.

Lanfranconi was the only card that wasn't in that legacy. Lanfranconi was a Vermont native who, except for World War II service in 1943-45, played pro ball from 1937 through 1953, usually at the Class AA or AAA minor league level. He also pitched in the majors, going 0-1 with the Chicago Cubs in 1941 and 4-4 with the 1947 Boston Braves.

Greg had sent scans of all of the '52 Globe Eagles he has. They are a good looking group of cards, generally featuring posed-action photos.

The back cover of the album indicates that the player cards were to be given away at "special photo nights throughout the season." That seems to have been typical of the Globe minor league cards, which explains why complete sets of most teams are virtually unknown.





Wednesday, August 4, 2010

Another alternate Indians picture pack. 1949?


On May 23 we presented a 1950 Cleveland Indians picture pack that differed from the long-cataloged picture pack in that instead of "facsimile autographs" the players were identified by a relatively thcik black or white script name.

The pictures otherwise followed the format used by the Tribe for its souvenir picture packs between 1947-1956. The pictures are blank-backed, 6-1/2" x 9" with players represented in either portrait or posed action photos.

We now learn, from veteran vintage collector and Standard Catalog of Baseball Cards contributor Rhett Yeakley that this type of alternative photo pack was also issued earlier, probably in 1949.

That dating is empirically based on the player photos in his possession. Yeakley has 15 pictures of what would typically be 25-30 in a contemporary Indians' picture pack. His line-up is:

  • Gene Bearden
  • Ray Boone
  • Lou Boudreau
  • Allie Clark
  • Bob Feller
  • Mike Garcia
  • Joe Gordon
  • Steve Gromek
  • Jim Hegan
  • Dale Mitchell
  • Frank Papish
  • Satchel Paige
  • Thurman Tucker
  • Mickey Vernon
  • Sam Zoldak
Papish and Vernon were not with the Indians in 1948, so if this group represents a single issue -- and differences in picture stock on some of the players make that a big "if" -- the date of issue narrows to 1949.

Yeakley notes that two of his pictures are on paper stock that it thinner and not textured, whereas the other 13 pix are on the thicker, textured paper associated with many of the Indians' other photo pack efforts in the 1940s and 1950s. The two outliers are Mike Garcia and Ray Boone.

Yeakley also notes that the picture of Gene Bearden in this "set" is a portrait, while the Bearden photo that was pictured in our article about the 1950 set was an action pose.

Since it is likely that the pictures in Yeakley's possession share at least some of their poses with the earlier-identified 1950 set it will be hard to pin down a checklist for a specific 1949 sisue unless a complete-with-envelope set is brought to our attention. It is, however, good to know that the Cleveland "wide pen" team-issued photo packs were more than a one-year phenomenon.